Major Street Publishing is an independent book publisher based in Melbourne, Australia. Founded in 2009 by Lesley Williams, Major Street specialises in publishing high quality business, leadership, personal finance and motivational books.
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This book is the first volume in a series of comic books about the spice trade and the spirit of navigation with all its vivid humor. The dominance of the Arabs in the spice trade and the envy of the Portuguese and Spaniards define the script and plot of the story, covering the maritime trade from 1440 to 1500. The story is inspired by the adventures and navigation techniques of Ahmed bin Majid, the great Arab navigator. Medieval history, mythology and archetypes are adapted to the modern world to facilitate the narration of the story and generate interest. He uses anachronisms and discourses of contemporary media to create comedy. In this volume, Prince Henry hires Chung Chung, the Chinese traveler to steal Majid's map, but Majid's cunning prevails. Majid also gives a lesson to the 41 pirates and their captain, Black Fin.
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This illustrated Graphic Novel vividly tells the story of Malaysia's earliest prehistoric society, going back as far as 74,000 years. The Lenggong Valley is listed as a UNESCO World Heritage Site and is celebrated for its archeological significance, which demonstrates a pivotal point in human history. LENGGONG - Crossroads Of The Ancient World ( A Graphic History ) brings to life the discovery of the 'PERAK MAN' one of the oldest , most complete skeletal remains found in Southeast Asia, from the perspective of the esteemed Prof. Emeritus Datin Paduka Dr. Siti Zuraina Majid- Malaysia's first archaeologist. Her research put the Lenggong Valley on the archeological world map, proving that early humans migrated from Africa to Australia through Sundaland, a large landmass that passed through Peninsular Malaysia.
Being an only child is not all it’s cracked up to be! Families can be overwhelming, and for Majid, one of four kids, it’s a positive nightmare! His sister always bosses him around, while his other sister plays with his toys without asking. Even his older brother takes pleasure in teasing him and playing pranks on him. Majid is angry and he’s had enough. He wishes more than anything that he was an only child. But what would that really mean? Majid and his mother explore the pitfalls of being an only child, in the hopes of changing his mind.
This is the latest title written by Majid Gheisari. He has been an active voice in Iran’s literary scene for the past three decades. He has won numerous awards and his titles have been translated to other languages to be published in other countries, such as Egypt. He is the master of words and a brilliant storyteller. He can dexterously create narratives with relatable characters in less than a thousand words. Gheisari is one of his people and he knows the pain and sufferings, the joys and hopes that people deal with daily. He writes about people for the people and that is only one reason he is popular and accepted in Iran. The Shore of Tehran tells the tale of ordinary, real women, men, and children even. He talks about the wounds of war, love, hopes, betrayals, and everything that future holds. The Shore of Tehran consists of five short stories about children, war, and the urban elements of life. The social phenomena and psychological effects of conflicts are other repeating themes in this book. He talks about a boy in search of a shore in Tehran, a land-bound metropolitan with no access to free seas. The boy takes his driver to somewhere in the city and here there are: a shore and seagulls and all. We all know that Tehran has no shore, but is it really the case? The elements of suspension and surprise makes this title an unprecedented reading experience from an Iranian short story writer.
One of the short tales from ''Friendship Series'', about a rabbit and a mole who have never met and thus, have made wrong assumptions about each other… until they finally meet. This collection, written for preschool children, consists of 15 stories, of which nine has been published. All the stories are thematically based on friendship and sympathy. The amusing tales and interesting illustrations are created by Iranian expert writers and skillful illustrators under direction of the renowned author, Majid Rasti, executive director of Mehrab-e Ghalam's Board of Children's literature. The artistic director of the board is Hoda Haddadi, the internationally acclaimed artist.
Drawing on the language of myths and roses, Pias Majid's newest poems admire and enrich the tradition. 'Golaper Nahobot' or 'The Harmony of Roses' is a major step forward for the poet. Through these poems, he produces a stable or enduring position in the hearts of the readers by creating one sort of musicality in sentence formation.
The time has come Hamidreza Shahabadi’s second installment of The Gate of the Dead Series. As we expect from the author, this novel too is such an intricately woven network of evens, twists, and surprises. Also, history again plays a pivotal role in this title; and that is what readers love about his works. Pleasant and plausible dialogs along with dramatic setting has made an atmosphere of unprecedented density and intensity for young adults. The author has created a relatable character, called Nader, who is the symbol of modernity and progress. Nader comes to Reza and his companion’s aid and together, they try to dismantle a gang of child kidnappers. Nader, a graduate of astronomy from the Netherlands, Nader has dreams of making and flying a balloon. On the other hand, we have Reza, who has come back to Tehran with the hope of going to Mirza Hassan Rushdieh’s school. Tehran in Qajar period was plagued with Cholera and what Reza witnesses haunts him for the rest of his life. Parallel to this storyline, we go forth a couple of hundreds of years to Majid’s house, who accidentally had found Reza’s scripts. He reads and reads and is obsessed with Reza’s fate and that building they found at the end of book 1. He goes back to the old mansion and a strange Indian man catches his eyes. The rest of the book is the struggle between fantasy and history and the narrow line of what men consider reality or fiction. Farrokh and Noyan Khan, the antagonists, still searching for Reza and Shakoor, who fell into the peculiar pond of the mansion, have expanded their range of bad deeds to new levels and that is why Reza feels responsible to face them and save their captured slaves. The world of dead accepts anyone and let out no one. But when Reza walks his readers into the underground world, we cannot help but recall the ancient Greek mythology of the paid price of coming back to life. The honest confrontation of logical science and superstition, the embodiment of which is Nader, has influenced Shahabadi’s story to be relatable to modern day adolescents, as well as adults. Nader and Reza’s relationship is of paramount value during the course of the story. They face abominable groups of tyrants and criminals and bullies, and with rooted trust and a couple of loyal friends, are able to finish what they started as a single rescue mission. Numerous new characters are introduced in this title, all of whom are representative of different social classes and from historical perspective, can be considered a mirror to what Tehran was like back then. Shakoor came to rescue. He told me to jump into the pond. I went ahead and stood at the edge. Slowly, I put by right foot on the surface and then, my left foot. Now I too was standing on the water. “Hurry up before someone sees us.” Shakoor said… I did what I did the last time. He pulled me down and I opened my eyes and started breathing. We were surrounded by too many men and women and children floating underwater. We were suspended in a bright space. Their hair was wild and their faces seemed white and frightened. Shakkor faced me and said: “Look Reza, I’ll help you escape Noyan’s mansion and in return, you need to do something for me. “ - Do what? - I’ll tell you. First, we need to go a bit further down, where you can see someone. He pulled me down and our surrounding got darker and darker… we floated and everything and everyone was hanging upside down… he then called out: “Rasool, Rasool…” The boy came out; his eyes lightless and colorless, his lips thin and tenuous. Before I could utter a word, Shakoor said: “he arrived two weeks ago and you are going to save his sister up there!”
The present volume ‘Forest Seed Science and Management deals with various aspects of seeds and is comprised of 14 chapters highlighting aspects on historical perspective, recent research trends, insect, pest and disease management, physiological, biotechnological and molecular aspects, collection to processing and storage, testing, industrial approach, seed policy & legislation, IPRs and rural extension.
The papers included in this book have a broad coverage of the topics related to new technologies in functional foods and nutraceuticals, fruits and vegetables and their by-products as valuable ingredients for functional foods and nutraceuticals, potential bioactive components from various food sources, trends and development of nutraceuticals and functional foods as well as functional food and nutraceuticals as ingredients in the value addition for health promotion, standardization and quality control. This workhelps to overcome the problems faced in exploring the potential of nutraceuticals in naturopathy and device strategies to encounter such problems.
Thoughtful and rigorous, the book provides an excellent survey of contemporary censorship. – Publishers Weekly This hybrid book examines the art and politics of “The Nude” in various cultural contexts, featuring books of canonical western art censored in Iran. Featuring American artist Pamela Joseph’s feminist appropriation of these images as well as Iranian and other Middle Eastern contemporary artists Aydin Aghdashloo (Iran), Boushra Almutawakel (Yemen), Ana Lily Amirpour (Great Britain/USA), Gohar Dashti (Iran), Daryoush Gharahzad (Iran), Shadi Ghadirian (Iran), Bahman Ghobadi (Iranian Kurdistan), Tanya Habjouqa (Jordan), Katayoun Karami (Iran), Hoda Katebi (USA), Simin Keramati (Iran/Canada), Mohsen Makhmalbaf (Iran/ Great Britain), Shohreh Mehran (Iran), Houman Mortazavi (Iran), Manijeh Sehhi (Iran), and Newsha Tavakolian (Iran/USA).
