Provided with a remarkable collection, Mercure de France follows an exacting editorial policy: French and foreign literature, poetry, history, anthologies... Awarded many times, the publishing house is associated with prestigious names: Romain Gary, Colette, Ionesco , André Gide, André du Bouchet, Henri Michaux, Adonis, Yves Bonnefoy, Andréï Makine, Gilles Leroy, Anne Serre, Gwenaëlle Aubry, Julian Barnes...
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Unter dem Eindruck der Schrecken des 1. Weltkriegs entstanden die Holzschnitte gegen den Krieg. Der flämische Maler und Grafiker Frans Masereel produzierte in den Jahren 1917 bis 1920 neben seiner Arbeit für Tageszeitungen zahlreiche Zeichnungen, die er für den Druck verwendete.
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Little is known about the Ekang literature of the Bantu peoples today. This oral literature, carried over the last century by incomparable elders, is very often conveyed by the virtuosos of mvet. Dark Lights by François Olinga Mbida revives this flame. Through these stories, he tries to put these riches within the reach of the readership, despite its esoteric subtleties.
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Following its declaration of independence in 1948, the State of Israel is credited with “making the desert bloom” as well as integrating millions of Shoah survivors and those in need of escape from the cold winds of antisemitism. This courageous country, proud of its many Nobel Prize winners, has fallen foul of biased media reports fed by propaganda that succeeded in blemishing the positive world image of Israel and has impeded its diplomatic relations. This testimony describes the impact on the often dramatic daily life of the author by opening a window into intimate human scenes, under the dark cloud that appears in blue skies to announce a violent storm. The cloud serves as a symbol of the paradox of a life of freedom and prosperity on one hand, and never-ending violence on the other. Israel’s short history is traced step by step by the French Israeli author who has lived in Israel since the seventies. The author unveils a patchwork of myths and falsifications that have created a fake reality now encoded into the awareness of new generations. Reading this book requires an open mind that allows readers to discover a whole new intimate and poignant world. Françoise Hoffmann was born in France during World War II. Vichy laws made it impossible for her parents to stay in Paris, so they found a safe place to hide. The whole family survived the war. The author lives in Israel and has pursued a lifelong career in social work. 384 Pages, 15X22.5 Cm. A french synopsis is also avialbe in the following link: A L'OMBRE DU CUMULONIMBUS: … Témoignage d’une franco-israélienne …
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This is the first full-length study of the films of François Ozon, director of such diverse films as 8 femmes, Swimming Pool, 5x2 and Les amants criminels. Andrew Asibong's passionate and critical analysis focuses on the extent to which Ozon's seemingly light touch never ceases to engage with the fundamentally weighty issue of existential transformation, a transformation that affects both his protagonists and his audiences. A central question emerges: what is at stake, cinematically, ethically and politically, in Ozon's alternatively utopian and cynical flirtation with the construction and deconstruction of contemporary social relations. Revealing Ozon as a highly adept 'fan' of a whole range of thought, literature and cinema, Asibong places the precocious French auteur in an intellectual yet highly accessible critical framework, allowing Ozon's importance for a thoroughly postmodern filmgoing generation to be given the attention it deserves. ;
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Saccharine for some, poignant for others, Jacques Demy's 'enchanted' world is familiar to generations of French audiences accustomed to watching Christmas repeats of his fairytale Peau d'âne (1970) or seeing Catherine Deneuve and Françoise Dorléac prance and pirouette in Les Demoiselles de Rochefort (1966). Demy achieved international recognition with Les Parapluies de Cherbourg (1963), which was awarded the Palme d'Or at Cannes. However, beneath the apparently sugary coating of his films lie more philosophical reflections on some of the most pressing issues that preoccupy Western societies, including affect, subjectivity, self/other relations and free will. This wide-ranging book addresses many of the key aspects of Demy's cinema, including his associations with the New Wave, his unique approach to musicals, his adaptations of fairytales, his representations of gender and sexuality and his legacy as an iconic director for generations of audiences and filmmakers. ;
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Though long ignored or dismissed by film critics and scholars, Marcel Pagnol (1895-1974) was among the most influential auteurs of his era. This comprehensive overview of Pagnol's career, the first ever published in English, highlights his unique place in French cinema as a self-sufficient writer-producer-director and his contribution to the long-term evolution of filmmaking in a broader European context. In addition to reassessing the converted playwright's controversial prioritisation of speech over image, the book juxtaposes Pagnol's sunny rural melodramas with the dark, urban variety of poetic realism practised by influential peers such as Jean Renoir and Marcel Carné. In his penchant for outdoor location shooting and ethnographic authenticity, as well as his stubborn attachment to independent, artisanal production values, Pagnol served as a precursor to the French New Wave and Italian Neo-Realism, inspiring the likes of Jean-Luc Godard, François Truffaut, Vittorio De Sica, and Roberto Rossellini. ;
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Now available in paperback, Michael R. Lynn's book analyses the popularisation of science in Enlightenment France. He examines the content of popular science, the methods of dissemination, the status of the popularisers and the audience, and the settings for dissemination and appropriation. Lynn introduces individuals like Jean-Antoine Nollet, who made a career out of applying electric shocks to people, and Perrin, who used his talented dog to lure customers to his physics show. He also examines scientifically oriented clubs like Jean-François Pilâtre de Rozier's Musée de Monsieur which provided locations for people interested in science. Phenomena such as divining rods, used to find water and ores as well as to solve crimes; and balloons, the most spectacular of all types of popular science, demonstrate how people made use of their new knowledge. Lynn's study provides a clearer understanding of the role played by science in the Republic of Letters and the participation of the general population in the formation of public opinion on scientific matters.
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