The publishing programme at Royal Collection Trust aims to create the highest-quality books, exhibition catalogues, guides and children's books to celebrate the royal residences and the works of art found within them. Our list includes beautifully produced printed books, apps and online catalogues and symposia. We also publish scholarly catalogues raisonnés, which demonstrate the highest standards of academic research.
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Royal College of Psychiatrists publish a wide range of books on mental health for both psychiatrists and the general public, along withtheir flagship journal the British Journal of Psychiatry.
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His world is that of the Royals – full of scandals and secrets. Falling in love with him was never part of her plan. Their paths cross at the royal stud farm... Greta just wants to get away: away from her school and away from the friends who have so endlessly disappointed her. The holiday job at the royal stud farm comes at just the right time for her. She might not have any interest in horses – and even less in princes and princesses – but the royal family’s palace still makes her heart beat faster. But on the very first day she quarrels with Edward, the horse trainer. He guesses that she is hiding a secret and wants to do whatever it takes to bring it out in the open. When, shortly afterwards, Prince Tristan appears at the stud farm, Greta’s life is completely turned upside down. She notices all too late that she is in the process of falling in love – and specifically with the boy that she actually wants to stay away from. Humorous and romantic, glamorous and exciting: ‘Royal Horses’ is the perfect love story for all readers from 12 to 99 years-old. Greta and Edward‘s story continues! Volume 2, ‘Crown Dream’ will be out in autumn 2020.
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The status of the "Four Kings" in the history of art has experienced ups and downs, reflecting the changes and characteristics of Chinese art research since the end of the 19th century in terms of researchers, research materials, research directions, writing styles, and research methods. These studies were also affected by the political environment and The impact of foreign cultural shocks, therefore, the "Four Kings" are typical in the study of art history. The book collects the paintings of Wang Shimin, Wang Yuanqi, Wang Hui, and Wang Jian in the Palace Museum, compiles his painting theory works and contemporary research articles, sorts out the context of his inheritance and innovation of the pen and ink of the predecessors, and shows the great charm of Chinese painting. The complete collection consists of ten volumes, divided into volumes according to the author of the "Four Kings", divided into Wang Shimin volume (Volume 1), Wang Jian volume (Volume 2 and Volume 3), Wang Hui volume (Volume 4, Volume 5, Volume 6, and Volume 7) , Wang Yuanqi volume (Volume 8, Volume 9, Volume 10), each volume is divided into catalog, foreword, legend, essay, catalog of plates, plates, etc., comprehensively and completely display the historical features of the "Four Kings" paintings, for the creation of fine arts and Art research provides true and comprehensive first-hand information, and provides an orderly and vivid art reader for the public's aesthetics.
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mycological paper on a revision of the British Heloticeae in the Herbarium of the Royal Botanic Gardens (including some notes on related European species)
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Curating empire explores the diverse roles played by museums and their curators in moulding and representing the British imperial experience. This collection demonstrates how individuals, their curatorial practices, and intellectual and political agendas influenced the development of a variety of museums across the globe. Taken together, these contributions suggest that museums are not just sites for accessing history but need to be considered as historical sites of significance in themselves. Individual essays examine the work of curators in museums in Britain and the colonies, the historical display and interpretation of empire in Britain, and the establishment of 'museum networks' in the British imperial context. Curating empire sheds new light on the relationship between museums, as repositories for objects and cultural institutions for conveying knowledge, and the politics of culture and the formation of identities throughout the British Empire.
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This is a complete catalog of Gold Artifacts of Ancient China, enhanced by 400 high-quality images. These artifacts were displayed in five famous museums throughout China, including Nanjing Museum, Inner Mongolia Museum, Shanxi History Museum, Hubei Provincial Museum and Yunnan Provincial Museum. When reading the book, readers will be able to feel the beauty of these artifacts, the richness of the history and the brightness of the culture.
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The museum keeps not just objects and things but also their past and their memories of the past. That is how it keeps its inhabitants alive.
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The book explores two thousand years of history on the territory of modern Ukraine. It is divided into two chapters: the first chapter covers the period from X century BC to III century AD, the second - from the III century to the IX century. The book includes professional opinions of the specialists in various areas of history. The reader can find information on language, religion, mythology, technological development, economics, art, and military affairs of ancient times collected under one roof. The book contains a lot of new and unique information, that appear as a result of the most recent research on the history of Ukraine. Some information is published for the first time. The book is supplemented by rich illustrative material, designed for a wide audience.
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Paparazzi, a blaze of flashlights, scandals – day by day, Greta’s life is being turned upside down. And only one person is responsible for this: Edward. Or to be more precise, Prince Tristan. Greta still feels that he has deceived her with his lies. Why didn’t he tell her who he really was? But when Edward suggests that she should come to Caverley Green in order to escape from the media circus, she can’t say no. Especially because her heart always beats faster when she sees Edward working with the horses. Or when he looks at her in that special way…But is Greta really ready to become part of his world?
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From the late 1800s to the early 1900s, Australian settler colonists mobilised their unique settler experiences to develop their own vision of what 'empire' was and could be. Reinterpreting their histories and attempting to divine their futures with a much heavier concentration on racialized visions of humanity, white Australian settlers came to believe that their whiteness as well as their Britishness qualified them for an equal voice in the running of Britain's imperial project. Through asserting their case, many soon claimed that, as newly minted citizens of a progressive and exemplary Australian Commonwealth, white settlers such as themselves were actually better suited to the modern task of empire. Such a settler political cosmology with empire at its center ultimately led Australians to claim an empire of their own in the Pacific Islands, complete with its own, unique imperial governmentality.
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This book focuses on British efforts to suppress the traffic in female slaves destined for Egyptian harems during the late-nineteenth century. It considers this campaign in relation to gender debates in England, and examines the ways in which the assumptions and dominant imperialist discourses of these abolitionists were challenged by the newly-established Muslim communities in England, as well as by English people who converted to or were sympathetic with Islam. While previous scholars have treated antislavery activity in Egypt first and foremost as an extension of earlier efforts to abolish plantation slavery in the New World, this book considers it in terms of encounters with Islam during a period which it argues marked a new departure in Anglo-Muslim relations. This approach illuminates the role of Islam in the creation of English national identities within the global cultural system of the British Empire. This book would appeal to those with an interest in British imperial history; Islam; gender, feminism, and women's studies; slavery and race; the formation of national identities; global processes; Orientalism; and Middle Eastern studies.
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It was the day of the Nja festival. The entire capital was animated. Each queen woke up, went towards the crowd and returned with their mothers in front of the throne, where the king gave them gifts. When it was Mbumanjé’s turn to present her mother to the king, she went towards the crowd, and to everyone’s surprise, presented a healthy-looking woman who was well dressed. Disappointment!
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The new activity of trans-continental civil flying in the 1930s is a useful vantage point for viewing the extension of British imperial attitudes and practices. Cultures and caricatures of British imperial aviation examines the experiences of those (mostly men) who flew solo or with a companion (racing or for leisure), who were airline passengers (doing colonial administration, business or research), or who flew as civilian air and ground crews. For airborne elites, flying was a modern and often enviable way of managing, using and experiencing empire. On the ground, aviation was a device for asserting old empire: adventure and modernity were accompanied by supremacism. At the time, however, British civil imperial flying was presented romantically in books, magazines and exhibitions. Eighty years on, imperial flying is still remembered, reproduced and re-enacted in caricature. ;
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