Studies in Photography
Publishing, books, journals and photographic prints
View Rights PortalYour Search Results
-
-
Photo Travel Editions
Photo Travel Editions is an italian independent Publishing House founded in 2018 and directed by Giovanni Marino. Books and reading are necessary tools to communicate beauty and to transmit memory and identity. In this context, Photo Travel Editions, develops as a natural evolution of a complex reality with the aim of giving voice to the need to spread and share the cultural tool par excellence, the book. Photo Travel Editions combines aspects of traditional publishing with the new modern publishing of E-books and audiobooks. The publishing project offers nonfiction books, contemporary fiction, poetry, photographic books and the re-edition of rare books. Great attention is paid to emerging authors who will be offered the means to reach an increasingly important number of readers, giving them the opportunity to express themselves, communicate and excite through writing.
View Rights Portal
-
Promoted Content
-
March 2019Photography Performing Humor
by Liesbeth Decan, Mieke Bleyen (eds)
New perspectives on humor within photographyDespite the ubiquitous presence of photographic humor in art and popular media, the phenomenon has as yet received very little scholarly attention. Focusing on staged humor rather than on comic effects of snapshot photography, this volume brings together leading scholars in the field addressing humor performed in front of the camera, often specifically created for the camera, and the performative joke-work done by the medium itself. A first section explores how photography, due to its “shattering” qualities, turns into a privileged medium for eliciting humorous effects and how humor can be discerned within the photographic event. A second section discusses the toolbox of photographic trickery (photomontage, double exposure and cinematic movement) that allows photography to mock itself. The book closes with a section on photographic wit in conceptual art, both in canonized and more locally distinct practices. With artists’ pages from Paulien Oltheten, Lieven Segers and David Helbich This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Kevin Atherton (National College of Art and Design, Dublin), Anna Corrigan and Susana S. Martins (Universidade NOVA de Lisboa), Hilde D’haeyere (KASK School of Arts of University College Ghent), Heather Diack (University of Miami), Louis Kaplan (University of Toronto), Ann Kristin Krahn (Braunschweig University of the Arts), Sandra Križić Roban (Institute of Art History, Zagreb), Esther Leslie (Birkbeck University of London), Johan Pas (Royal Academy of Fine Arts, Antwerp), Katarzyna Ruchel-Stockmans (Vrije Universiteit Brussel)
-
FictionOctober 2020GABRIEL GERFAUT’S INVESTIGATIONS VOL.10: THE FORTRESS OF THE CURSED
When Gerfaut learns that Brittany, land of legends, is also called the gate of hell, he knows that he will have to face the impossible.
by Gilles Milo-Vacéri
In Brittany (western France), near Yeun Elez, a ghosthunter vanishes during an investigation, two childrendisappear and a man is crucified and beaten to death.The prosecutor panics and calls Major Gerfaut as abackup. When the latter learns that this land of legendsis also called the gate of hell, he knows that he will haveto face the impossible, starting with the secret of theFortress of the Cursed.Used to sadistic killers and defying the invisible, Gerfautexpects the worst. Unfortunately, there is always aworse than the worst ...
-
October 2020Collage - Inspiration, Composition, Technique
by Natascha Fix, Jörg Bockow
There’s something anarchic about collage; it loves exaggeration, plays at irritating the viewer, provoking a second glance. It combines things that don’t seem to fit together – and that’s precisely why viewers rarely forget it. This is one of the reasons that authoritarian regimes have always had issues with collage artists. The more digital and sleek the world and everyday creative life becomes, the better it feels to go on a foray armed with scissors, glue and the joy of discovery. Natascha Fix showed us her collages and our jaws dropped in amazement and enthusiasm. How does she do it? we asked. Here’s her answer: A large-format book with suggestions and tips, but above all with great works that make you want to do something irrational and disobedient, surreal and Dadaistic, exaggerated and caricatured, to mix materials and analogue work, to cut, tear, disturb. It is a visual manifesto for disruptive times!
-
October 2015The Art of Horror
An Illustrated History
by Edited by Stephen Jones; foreword by Neil Gaiman
A celebration of frightful images, compiled by some of the biggest and most respected names working in the genre. The book covers early engravings, dust jackets, book illustrations, pulp magazines, movie posters, comic books, and original paintings and digital artwork - over 500 images are presented in beautifully haunting detail. Editor is multiple award-winning Stephen Jones, who has assembled a stellar team of contributors and sourced visuals from all over the world. Foreword is by Neil Gaiman.
-
Individual artists, art monographsJanuary 2019The Last Days of Mankind
A Visual Guide to Karl Kraus’ Great War Epic
by artwork by Deborah Sengl; contributions by Marjorie Perloff, Matthias Goldmann, Anna Souchuk and Paul Reitter
"Eye-catching": Top 10 Anticipated Art Books Publishers Weekly Garnering critical success over the past four years, Viennese artist Deborah Sengl has exhibited taxidermied rats, drawings and paintings to restage Karl Kraus’ infamous, nearly-unperformable play The Last Days of Mankind (Die Letzten Tage der Menschheit, 1915–22). Featuring Sengl’s entire installation, this edition includes essays that examine her ambitious dramaturgy, which condenses the 10-15 hour drama into an abridged reading of its themes: human barbarism, the role of journalism in war, the sway of popular opinion and the absurdities of nationalism. The Last Days of Mankind offers an agit-prop protest envisioning human folly through animal actors, who become more than human, while confronting a violence particular to humankind, laced with selfishness and greed. The work is a hundred years old, but for me it is still current. We may not have war in the immediate vicinity, but the war within us is as strong, if not stronger, as it was then.– Deborah Sengl
