Provided with a remarkable collection, Mercure de France follows an exacting editorial policy: French and foreign literature, poetry, history, anthologies... Awarded many times, the publishing house is associated with prestigious names: Romain Gary, Colette, Ionesco , André Gide, André du Bouchet, Henri Michaux, Adonis, Yves Bonnefoy, Andréï Makine, Gilles Leroy, Anne Serre, Gwenaëlle Aubry, Julian Barnes...
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Frayed Edge Press is a small independent publishing house based in Philadelphia. We publish literary fiction and poetry, as well asnon-fiction titles in history and political science. We also publish the Street Smart Series of Short Fiction, consisting of contemporary, urban-set novelette-length works. We especially welcome marginalized voices, both historical and contemporary, including women, people of color, ethnic and religious minorities, the LGBTQ+ community, and progressive political viewpoints. We particularly seek to publish works that wrestle with important questions challenging contemporary society, including political and environmental concerns, civil rights, women's rights, and sustainability.
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Als Theodor W. Adorno, von den Nationalsozialisten vertrieben, zwischen 1938 und 1941 in New York lebte, beschäftigte er sich intensiv mit der Frage, wie sich die Reproduktion von Musik im Medium des Radios auf die Musik selbst auswirkt. Besonders interessiert haben ihn dabei die Mechanismen der Rezeption populärer Musik, die er anhand der Verbreitung von »Hits« der damaligen Zeit durch amerikanische Radiosendungen analysiert. Entstanden sind umfangreiche Manuskripte, die Adorno, wie er später immer wieder bedauerte, zu Lebzeiten jedoch nicht mehr zum Abschluß bringen konnte. Current of Music – den Titel hatte Adorno selbst für die Veröffentlichung vorgesehen – rekonstruiert dieses Buchprojekt anhand der Pläne, die sich dazu im Adorno-Archiv finden. Mit Current of Music wird ein wichtiger Baustein zum Verständnis von Adornos Theorie der Musik wie auch seiner überlegungen zu den Mechanismen der Kulturindustrie erstmals zugänglich gemacht.Von dieser Ausgabe sind bisher erschienenBeethoven. Philosophie der Musik (Fragment gebliebene Schriften, Band 1)Zu einer Theorie der musikalischen Reproduktion (Fragment gebliebene Schriften, Band 2)Kants »Kritik der reinen Vernunft« (Vorlesungen, Band 4)Ontologie und Dialektik (Vorlesungen, Band 7)Probleme der Moralphilosophie (Vorlesungen, Band 10)Zur Lehre von der Geschichte und von der Freiheit (Vorlesungen, Band 13)Metaphysik. Begriff und Probleme (Vorlesungen, Band 14)Einleitung in die Soziologie (Vorlesungen, Band 15)Vorlesung über Negative Dialektik (Vorlesungen, Band 16)
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Forest fragmentation will inevitably continue over the coming years, especially in developing economies. This book provides a cutting edge review of the multi-disciplinary sciences related to studies of global forest fragmentation. It specifically addresses cross-cutting themes from both an ecological and a social sciences perspective. The ultimate goal of Global Forest Fragmentation is to provide a detailed scientific base to support future forest landscape management and planning to meet global environmental and societal needs.
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Forest fragmentation will inevitably continue over the coming years, especially in developing economies. This book provides a cutting edge review of the multi-disciplinary sciences related to studies of global forest fragmentation. It specifically addresses cross-cutting themes from both an ecological and a social sciences perspective. The ultimate goal of Global Forest Fragmentation is to provide a detailed scientific base to support future forest landscape management and planning to meet global environmental and societal needs.
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1977 erschien in Paris »Fragments d'un discours amoureux«. Das Buch erklomm unmittelbar nach seiner Veröffentlichung die ersten Plätze der Bestsellerliste; sein Verfasser, ein bereits berühmter, weltweit geehrter Wissenschaftler und Intellektueller wurde zum gefeierten Romancier. »Fragmente einer Sprache der Liebe« gilt als das privateste und zugleich populärste Werk von Roland Barthes. Die alphabetisch geordneten sprachlichen Figuren der Lebenden − von Abhängigkeit bis Zugrundegehen − geben die Reihenfolge vor, in der die möglichen Zuwendungen zu einander Form gewinnen und Verhalten bestimmen. Im Rahmen der Edition der legendären Pariser Seminare von Roland Barthes haben sich weitere Fragmente gefunden, die der Autor in die Erstausgabe nicht aufgenommen hat, die jedoch eine perfekte Ergänzung zum Diskurs jedes Liebenden sind.
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It could happen that one day, one word describes us, one image reflects an emotion, and one name tells us its story. That each thing, made up of different parts, wanders in a space of fragments, only to find us. One day, Isabel, Omar, Lola, and the others arrive, all eager to tell you their story.
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Increasing concern surrounding the loss of natural forests and the decline in biodiversity has lead to a rise in research and policy initiatives in recent years. However, interest has focused primarily on lowland tropical rainforests. Tropical montane and temperate rainforests, which face similar pressures from human activities and play major roles in the livelihood of rural communities, are often ignored. Biodiversity Loss and Conservation in Fragmented Forest Landscapes is the product of over 10 years of intensive field research into the changing montane and temperate rainforests of Mexico and South America. By concentrating on these largely overlooked environments, the studies reported allow for comparative analysis across areas and help identify how human disturbance has impacted the biodiversity of all forest types. Chapters incorporate features of landscape ecology, floristic biodiversity, conservation and policy and vary from in-depth investigations of a single study area to integrated examinations across regions.
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Myth Made ManifestOver 4000 years ago in ancient Sumer, some of the first mythographers inscribed the stories and myths of the Goddess Inanna on clay tablets in cuneiform. These incredible findings were unearthed, and the fragments were painstakingly pieced together and translated. What they discovered were the ways Inanna was heralded as a goddess who embodies polarities: impatient and deliberate, an attentive lover and fierce warrior, connected to fertility as well as death-making her an accessible, relatable, and inspiring representation of the Divine Feminine as she stands in her power and multidimensionality. The Way of Inanna is a field guide to heart-centered living through the wisdom of the Sumerian Goddess of Love. Each chapter deconstructs sacred narratives in which the Goddess navigates the seven gates of her soul's journey from awakening to ascension. More than a simple retelling, the book is myth made manifest in which Inanna becomes a means to accessing our own ascension and alchemical magic within our modern, contemporary context.
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'Reading Walter Benjamin' explores the persistence of absolute in Benjamin's work by sketching-out the relationship between philosphy and theology apparent in his diverse writings, from the early youth-movement essays to the later books, essays and fragments. The book examines Benjamin from two main perspectives: a history-of-ideas approach situating Benjamin in relation to the new German-Jewish thinking at the turn of the twentieth-century, as well as the German youth movements, Surrealism and the 'Georgekreis'; and a conceptual approach examining more critical issues in relation to Benjamin and Kant, modern aesthetics and narrative order. Chapters cover: 'Kulturpessimismus' and the new thinking; metaphysics of youth: Wyneken and 'Rausch'; history: surreal Messianism; Goethe and the 'Georgekreis'; Kant's experience; casting the work of art; disrupting textual order; and exile and the time of crisis. The book uses new translations of Benjamin's essays, fragments and his 'Arcades Project', and makes substantial reference to previously untranslated material. Lane's text allows the non-specialist entry into complex areas of critical theory, simultaneously offering original readings of Benjamin and twentieth-century arts and literature. ;
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Reanimating grief is a wide-ranging study of the poetics of bereavement in theatre, literature and song. It examines the way cultural works reanimate the dead in the form of ghosts, memories or scenes of mourning, and uses critical and creative writing to express grief's subjectivity and uniqueness. It cover classic texts from Greek tragedy and Shakespeare to works by Anton Chekhov, Samuel Beckett, Enda Walsh, Sally Rooney and Maggie O'Farrell. The book argues that the return of the dead in theatre and fiction is an act of memorial and an expression of love that illustrates the relationship between art, enchantment and impossibility.
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Friend Li Bo, Brother Du Fu.. is a collection of prose by the Ukrainian poet Oleh Lysheha, which was on the BBC Ukraine Book of the Year award long list in 2010. According to the author, this book took him about thirty years to write. It includes, for instance, fragments of his lost fantasy novel "Peacock".
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The book includes the stories of extraordinary Ukrainians who made a significant personal contribution to the development of Ukrainian literature, theater, and poetry. Among the characters of the book are Lesya Ukrainka, Ivan Franko, Taras Shevchenko, Maria Zankovetska, Olena Pchilka, Olena Skoropadska, Maksym Rylskyi, Mykhailo Starytskyi. But we do not write about the gossip around them. We popularize the art of Ukrainian embroidery and highlight the private fragments of the lives of prominent Ukrainians that are little known to the general public. The book is organized in the form of a folder, which contains postcards-stories about the figure and a memorial item decorated with Ukrainian embroidery. The publication is the result of the cooperation of a team of like-minded people - museologists, embroiderers, scientists, clothing makers and publishers, who implemented a project aimed at popularizing the art of Ukrainian embroidery and highlighting fragments of the lives of prominent Ukrainians that are little known to the general public. Each postcard of the collection introduces us to the biography of a prominent person and the features of the domestic culture of that time through the presentation of a certain memorial item, which is decorated with Ukrainian embroidery. But the authors go further and present products sewn and embroidered by modern craftsmen, decorated with the same embroidery, as well as special schemes are presented, according to which everyone can reproduce both simple and complex ornaments from museum monuments in the material. The book will be interesting for everyone who is interested in Ukrainian ethnoculture, clothing manufacturing specialists, and embroiderers.
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This is a autobiography-style prose collection. Applying the unique writing technique, Can Xue has revealed the perceivable childhood inward world and all aspects of her childhood. Unlike her obscure novels, this collection attempts to grasp memory fragments through critical thinking and recall the childhood days. As a child, Can Xue is imaginative and obstinate, which has influence on her literary creation later. This spiritual autobiography serves as the key to the artistic world of Can Xue.
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Through the lens of performance and politics, this collection zooms in on the context-specific dimensions, analogies, and micro-histories of the Left to better understand the larger picture. It proposes a search for the Left not from totalising Leftist ideological positions and partisan politics but from ethical dimensions through smaller-scale Left-leaning struggles; not from the political to the aesthetic, but from the potentiality of art to offer new political imagination and critique; not from the individual subordinated to the collective, but from the dialectics of subjectivity and collectivity. This is not an attempt at a sweeping global overview of Leftist cultures either, but a collection that brings together culture-specific and comparative perspectives. This book searches for fragments of and on the Left, past and present, through which to rethink and patch a fragmented world.
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This publication is dedicated to the artistic project "Icons on the Ammunition Boxes" by Sonya Atlantova and Oleksandr Klymenko. The icons painted on fragments of weapons boxes brought from the front lines are silent witnesses of the war in Eastern Ukraine and at the same time evidence of the victory of life over death (not only symbolic, but also real). Since the spring of 2015, the project had a charitable purpose of supporting the Mykola Pyrogov First Voluntary Mobile Hospital that provided medical assistance to the Ukrainian army and to the civilians in combat zone of Donbas.
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Collections XVI contains new documentary evidence concerning Luminalia, the anonymous Shrovetide masque of 1638, and theatrical references in the Bridewell Hospital Court of Governors' Minute Books. The volume also includes editions of fragments from an early seventeenth-century adaptation of Plautus' Captivi, held in the archives of New College, Oxford, and the part of Amarath from Harvard University manuscript Thr.10.1. The volume is edited by Eugene Giddens, with contributions from Nadine N. W. Akkerman, William Poole, Abigail Rokison, and Duncan Salkeld. It is part of the Malone Society's ongoing Collections series, which gathers together documents relating to the drama of the period. ;
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Sham is a precocious schoolboy who dreams about making sense of the world he inhabits. Shaman, his friend and alter-ego prods him along. They walk together exploring the gullies and outskirts of their suburban hill village. They passionately glean whatever information is available to them through books or people. They make patterns out of this information and scheme to gain control over their reality. The villagers become characters in their scheme and start revealing the cracks in their reality. As fragments of science, philosophy, fairy-tales, folk-legends and history start seeping into their everyday existence, Sham and Shan find themselves deep in an unmanageable world of their own fantasies.
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The events of the novel unfold in the spring and summer of 2014 in Donetsk. Donbas is a zeroing out point; it’s a place of strength where the country’s most important questions have sounded. And only there are the necessary answers hidden. It was here that the novel’s nameless heroine lost her family, home, job, and illusions, and it was here that she gathered up the fragments of her life and discovered new meaning and new support. Step by step the reader observes the process of transformation, the metamorphosis of a crop-sower into a warrior. Because war is when you eat the earth. So what’s more important than feeding the earth?
