This book tells the story of WW2 in a clear and interesting way with historical facts. This book is totally different from any history book you have read. Readers can take a lot of joy and also understand the history of WW2 at the same time.
This book tells the story of WW2 in a clear and interesting way with historical facts. This book is totally different from any history book you have read. Readers can take a lot of joy and also understand the history of WW2 at the same time.
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This book tells the story of WW1 in a clear and interesting way with historical facts. This book is totally different from any history book you have read. Readers can take a lot of joy and also understand the history of WW2 at the same time.
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The Sun Will Rise Tomorrow is not a conventional book about the holocaust. It does not describe the atrocities of WW2, especially towards the Jewish people. Instead, the writer tells a story of her own life from a personal view as a chid, during that period. With the gentle strokes of an artist, the author paints the scenery of her childhood in Nazi-occupied Poland, from age three to six, describing events as she perceived them at the time from a child's point of view. Her peaceful and happy country life is crushed by the occupation of Nazi Germany. On a cold and rainy night, our heroine evades the firing squad that annihilates most of her family; her mother joins the partisans, her father is deported to Auschwitz, and she finds herself all alone, hidden in a wicker basket, with a Christian peasant family. After liberation and an incredible reunion with her mother, in an attempt to rehabilitate life, the child becomes the mother and is forced to mature instantly. She takes responsibility for her mother and herself in a daily struggle to survive. Then, an impossible surprise strikes! The purpose of this book is to deliver a message to children who were abused, in any way, not to give in, not to lose hope—the sun will rise tomorrow! Irit Dror-Reytan was born on September 22, 1939, in Boryslav, Poland. After the war she lived in Waldenburg, Poland, until 1950 when her family immigrated to Israel. She was educated in Tabeetha Jaffa, a Church of Scotland school. The Author completed her studies at the Israel Conservatory of Music in Tel Aviv. She received a B.A. from Queens College in New York and a Master’s degree in psychology from Lesley University in Boston. Irit taught music and English for many years. For the last twenty years, she has been treating IDF soldiers suffering from PTSD. The author has four children, seven grandchildren and lives with her husband in Israel. 128 Pages, 15X22.5 CM
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This series is written according to the United States, Japan, Britain, Australia and other countries' latest historical data, presenting in-depth analysis on the America-Japan sea battle in WW2, the hottest issues of twenty-first Century, and the national marine strategies and so on.
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This series is written according to the United States, Japan, Britain, Australia and other countries' latest historical data, presenting in-depth analysis on the America-Japan sea battle in WW2, the hottest issues of twenty-first Century, and the national marine strategies and so on.
Trusted Partner
This series is written according to the United States, Japan, Britain, Australia and other countries' latest historical data, presenting in-depth analysis on the America-Japan sea battle in WW2, the hottest issues of twenty-first Century, and the national marine strategies and so on.
Trusted Partner
This series is written according to the United States, Japan, Britain, Australia and other countries' latest historical data, presenting in-depth analysis on the America-Japan sea battle in WW2, the hottest issues of twenty-first Century, and the national marine strategies and so on.
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Zu den liebenswürdigsten Gestalten, die der weltberühmte polnische Science-fiction-Autor Stanislaw Lem geschaffen hat, gehört Pilot Pirx. Seine Geschichten sind im Grunde Variationen über ein Thema: »nämlich das Modell des Menschen in der kosmischen Ära«, wie der Kritiker Jerzy Jarzebski es formulierte.
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Zu den liebenswürdigsten Gestalten, die der weltberühmte polnische Science-fiction-Autor Stanislaw Lem geschaffen hat, gehört Pilot Pirx. Seine Geschichten sind im Grunde Variationen über ein Thema: »nämlich das Modell des Menschen in der kosmischen Ära«, wie der Kritiker Jerzy Jarzebski es formulierte.
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This book provides the first detailed analysis of the work of four important contemporary directors whose work falls between the reductive labels of 'auteur cinema' and 'popular cinema'. Their work is contextualised within this timely investigation into the shifting relationship between the privileged status of the auteur and questions of genre, gender and cinematic production in France today. This important contribution to understanding the shifting landscapes of contemporary French film identifies an essential intermediacy in the films of these directors, which works to undo a series of dominant oppositions, generic template and contestation, public collectivity and personal intimacy, to offer a new perspective on the location of the political in contemporary French cinema. The four chapters provide detailed critical analysis of films by Dominique Cabrera, Laetitia Masson, Noémie Lvovsky and Marion Vernoux, and present common thread including the possible construction of social intimacy, the political demystification of romance narratives and the role of nostalgia, to argue that their work uses popular genres in order to challenge dominant cultural representation that resonates beyond the immediate parameters of contemporary French cinema. This book will be of interest to researchers working in French and European cinema, to students of Film Studies and French and Francophone Studies, and to film enthusiasts.
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She is Hua Yaya, a little apprentice who wants to learn paper-cutting. But the master she wants to learn from is a bit strange. As an apprentice for three years, Hua Yaya spends a year in watering flowers, another year in sharpening a pair of scissors and a third year in visiting the market. Finally, her strange master flies into her paper-cut by riding a golden bird. Can she cut out lifelike patterns such as flowers, birds, leaves and characters?
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China Story Picture Books is the first set of children's picture books launched by the Bingxin Award Committee. This set of books covers the works of seven Bingxin Award-winning writers of different ages including children's literature masters and promising young writers. The illustrations are full of traditional Chinese cultural elements such as dragon lantern dance, paper cutting, oil paper umbrella, and bamboo. Powerful painters at home and abroad are invited to do illustrations, which brings interesting fusion and collision of Chinese and foreign cultures to the books. In addition to the original illustrations, the stories are more touching. Every child can harvest the courage and wisdom for growing up from these stories. The series consists of 7 picture books: The Dragon Lantern, The Path of Golden Flowers, The Child in Three-Story Attic, The School Day Gifts, The Secret of Crossing, The Slope of Sisters. The Dragon Lantern tells a folk story of the Spring Festival. Yuanyuan and Fangfang are twins, and they have a common wish: to have a big lantern on the day of the Spring Festival. When the new year comes, the dragon in the dragon lantern jumps into the sky and turns into a fire dragon with colorful lights. He takes the God of Fortune, the Door God, the Kitchen God and the Lord Rabbit for a walk in the sky, laughs, and brings everyone the blessings of the festival.
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Lam Chua: Travel Notes on Food involves Mr. Chua's travel notes and random thoughts on his trip for savoring food. He experiences around the world from Moscow to Buenos Aires, feasting your eyes on European and American styles and customs; he travels around China from Dalian of Liaoning to Sheung Wan of Hong Kong, savoring local culture and cuisines; he talks about food from cup noodles and sauce to fish roes and curry, airing opinions and making comments in passionate language. Besides, the book is illustrated by the Hong Kong talented artist as well as Mr. Chua's dedicated illustrator Ms. Meilo So. Her loose, flowing, and easily recognizable style add more appeal and interest to the book.
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The mission of philosophy is to lead the trend of the times and history. The theoretical construction of philosophy of library science will also assume the historical responsibility of leading the development of contemporary library science theory and practice. This book takes Marx's practical materialism as the theoretical foundation, and examines the thinking mode and main issues of library philosophy, the view of practice and materialism, library dialectics, the labor of librarians and their alienation, the philosophical cultivation and creation of librarians, and such major theoretical issues including various contemporary issues, to a certain extent. Based on this, a theoretical framework based on practical materialism was attempted. This book is a comprehensive work written by the author on the basis of his works Study on Axiology of Library, Study on Ontology of Library,and Study on Epistemology of Library. It is suitable for all who care about library existence and development to read.
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“Big Potato” is the nickname of the young boy, Dai Doudou. He loves to play pretend aeroplanes, and one day his friends gather in a large crowd, queueing up to be passengers in his 'plane'. They wait and wait, until they get bored and decide to play pretend trains instead. In the end they still set off together, headed toward Paris! This story of a group of friends playing a game is told from a child's viewpoint, showing their conversations and actions, revealing their thoughts and feelings. Full of childlike innocence and fun, it is sure to please the little ones!
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Lam Chua: Travel Notes on Food 2 is a sequel to Lam Chua: Travel Notes on Food, involving Mr. Chua's travel notes and random thoughts on his trip for savoring food, especially his new articles as well as his Weibo post about delicacies, anecdotes and scenery during 2018 to 2020. What Mr. Chua delivers to us in this book goes beyond just travelling and food, but more of his refreshing insight into life's ups and downs.
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A journey to the Italian cinema that overturns established views and opens up new perspectives and interpretations. Its itinerary is organized in four stages. The first is an analysis of the theories of Cesare Zavattini on neorealism which overturns widely accepted positions both on Zavattini and on neorealism. The second confronts a key film of the post-war Italian cinema, Roberto Rossellini's Paisà, by examining the nature of its realism. The third is dedicated to Luchino Visconti: to questions of the use of language exemplified in his La terra trema, the use of settings, costume and light as agents of meaning in his Il Gattopardo and Vaghe stelle dell'Orsa. The final voyage of the film is to the physical and symbolic construction of heaven and earth in the work of Pasolini. Particular attention is given to the representation of the body in his last four films: the grotesque and mythical bodies in popular tradition in his Trilogia di vita and the tortured bodies destroyed by the mass media in Salò.
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European Film Noir is the first book to bring together specialist discussions of film noir in specific European national cinemas. Written by leading scholars, this groundbreaking study provides an authoritative understanding of an important aspect of European cinema and of film noir itself, for too long considered as a solely American form. The Introduction reviews the problems of defining film noir, its key characteristics and discusses its significance to the development of European film, the relationship of specific national films noirs to each other, to American noir and to historical and social change. Eight chapters then discuss film noir in France, Germany, Britain and Spain, analysing both earlier developments and the evolution of neo-noir through to the present. A further chapter explores film noir in Italian cinema where its presence is not so well defined. Each piece provides a critical overview of the most significant films in relation to their industrial and social contexts. European Film Noir is an important contribution to the study of European cinema that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.
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Lukácsian film theory and cinema explores Georg Lukács' writings on film. The Hungarian Marxist critic Georg Lukács is primarily known as a literary theorist, but he also wrote extensively on the cinema. These writings have remained little known in the English-speaking world because the great majority of them have never actually been translated into English - until now. Aitken has gathered together the most important essays and the translations appear here, often for the first time. This book thus makes a decisive contribution to understandings of Lukács within the field of film studies, and, in doing so, also challenges many existing preconceptions concerning his theoretical position. For example, whilst Lukács' literary theory is well known for its repudiation of naturalism, in his writings on film Lukács appears to advance a theory and practice of film that can best be described as naturalist. Lukácsian film theory and cinema is divided into two parts. In part one, Lukács' writings on film are explored, and placed within relevant historical and intellectual contexts, whilst part two consists of the essays themselves. This book will be of considerable interest to scholars and students working within the fields of film studies, literary studies, intellectual history, media and cultural studies. It is also intended to be the final volume in a trilogy of works on cinematic realism, which includes the author's earlier European film theory and cinema (2001), and Realist film theory and cinema (2006).
