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Molière et son premier Tartuffe sheds light on one of the most enduring mysteries in world theatre: the nature, structure and purpose of the first and no longer extant version of his most controversial play, Le Tartuffe. The study provides a succinct overview of the problem and a close analysis of events leading up to the original performance at Versailles. A careful reading of Molière's own defence of this version situates its overriding inspiration in his wish to satirise specific religious groupings, whilst hoping vainly to avoid censure from the religious establishment of his day. There are three appendices: the first evaluates the hypotheses of a complete or incomplete play; the second analyses the claims that Molière took certain people as models for Tartuffe, and the final appendix seeks to reopen the question of Molière's stance towards religion. The conclusion is that Le Tartuffe should not be seen as inherently hostile to religion, but rather as constituting a plea for tolerance, charity and transparency in its practice, none of which runs counter to the spirit and tenets of historic Christianity. This will appeal to lecturers and students of French Studies and Theatre Studies. ;
This novel, through the creation of a group of ministers of the Qing Dynasty represented by Chen Tingjing, reflects the difficult choice of the officials in their personality, morality and behavior in a unique historical background, and recreates the situation of the officialdom some 300 years ago. On the basis of historical materials, the author presents the image of the celebrated upright, lenient, competent and iron-handed Minister Cheng Tingjing. Chen Tingjing, originally named Chen Jing, became a successful candidate in the highest imperial examinations at the age of 21. As there were two candidates named Chen Jing, Emperor Shunzhi changed his name to Chen Jingting. From the moment he entered the officialdom, he was involved in constant confrontations with Mingzhu and Songgotu whose power later became second only to that of the emperor, and in open or secret struggle with Emperor Kangxi’s confidants such as Xu Qianxue and Gao Shiqi … In the 53 years of his official career, he consecutively served as Emperor Kangxi’s tutor, minister of the Ministry of Works, the Ministry of Personnel, the Ministry of Revenues and the Ministry of Penalty, Grand Secretary of the Imperial Library, and editor-in-chief of Kangxi Dictionary before he died in post and was crowned with eternal glory. The plot of the novel is both lucid and heavy, giving enlightenment and caution to people of today.
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Using a wide range of archival material, Plagues of the heart provides a fresh understanding of religion and identity not only in seventeenth-century Scotland, but in protestant communities across the early modern world grappling with a range of interrelated crises. By examining the 'culture of covenanting' in the southwestern port-city of Ayr between the British civil wars and the Revolution of 1688, this book reveals how adherence to the National Covenant of 1638 and the Solemn League and Covenant of 1643 informed the identities and lived experiences of a generation of Scots. This is the compelling story of one Scottish town and its remarkable minister, but it demonstrates how in the early modern period, especially when it came to matters of faith, the local was imbedded rather than isolated, engaged rather than insular.
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This textbook provides a comprehensive overview of the Model Arab League (MAL) programme for first time and returning students. Drawing on over fourteen years of combined experience in successfully leading award-winning MAL delegations, Philip D'Agati and Holly A. Jordan provide students with an introduction to being a delegate and tips on effective research techniques as well as simplifying the complex process of taking on the identity of a state and then representing it effectively in a MAL debate. ;
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Der Fußball, heißt es, schreibt die unglaublichsten Geschichten. Höchste Zeit also für eine unglaublich gute Geschichte des Fußballs. Michael Cox erzählt sie ab dem Jahr 1992, als die Änderung der Rückpassregel und die Einführung der Champions League den Sport veränderten und einen weiteren Professionalisierungsschub auslösten. Cox zeichnet nach, wie die großen europäischen Fußballländer mit ihren Clubs und Nationalmannschaften jeweils eine Zeit lang dominierten, bis die Konkurrenz ihren Erfolgscode knackte und die Evolution weiter vorantrieb. José Mourinhos abgezockte Abwehrmaschinen, Pep Guardiolas Kurzpass-Tiki-Taka, das Gegenpressing und Umschaltspiel von Jürgen Klopp – Cox porträtiert die prägenden Figuren dieser knapp drei Jahrzehnte und erklärt ihre taktischen Neuerungen. Und er erinnert an legendäre Spiele, etwa an den Moment, als der portugiesische Nationaltorwart Ricardo im EM-Viertelfinale 2004 plötzlich seine Handschuhe auszog, den letzten Elfmeter der Engländer hielt und den entscheidenden selbst verwandelte.
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Der Fußball, heißt es, schreibt die unglaublichsten Geschichten. Höchste Zeit also für eine unglaublich gute Geschichte des Fußballs. Michael Cox erzählt sie ab dem Jahr 1992, als die Änderung der Rückpassregel und die Einführung der Champions League den Sport veränderten und einen weiteren Professionalisierungsschub auslösten. Cox zeichnet nach, wie die großen europäischen Fußballländer mit ihren Clubs und Nationalmannschaften jeweils eine Zeit lang dominierten, bis die Konkurrenz ihren Erfolgscode knackte und die Evolution weiter vorantrieb. José Mourinhos abgezockte Abwehrmaschinen, Pep Guardiolas Kurzpass-Tiki-Taka, das Gegenpressing und Umschaltspiel von Jürgen Klopp – Cox porträtiert die prägenden Figuren dieser knapp drei Jahrzehnte und erklärt ihre taktischen Neuerungen. Und er erinnert an legendäre Spiele, etwa an den Moment, als der portugiesische Nationaltorwart Ricardo im EM-Viertelfinale 2004 plötzlich seine Handschuhe auszog, den letzten Elfmeter der Engländer hielt und den entscheidenden selbst verwandelte.
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Samuel Beckett schrieb 1945 bis 1946 seine drei Erzählungen ›Der Ausgestoßene‹, ›Das Beruhigungsmittel‹ und ›Das Ende‹. Beckett hat jetzt eine vierte Erzählung, die ebenfalls 1945 entstand, zur Veröffentlichung freigegeben. Ihr erzählerischer Hintergrund ist der Weg eines Liebhabers vom Grabe des Vaters in den vorübergehenden Ehestand mit einer Prostituierten; die Beziehung ist nicht von Dauer. Das Thema ›Erste Liebe‹ wird zum Thema einer vehementen Befreiung. Becketts Erzählungen sind leichter zugänglich als seine Romane, zu denen sie sich verhalten wie ein Bruchstück zum Ganzen. Auch die Erzählung ›Erste Liebe‹ führt ein in die typische Gestaltenwelt seines Werkes.
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Stage rights! explores the work and legacy of the first feminist political theatre group of the twentieth century, the Actresses' Franchise League. Formed in 1908 to support the suffrage movement through theatre, the League and its membership opened up new roles for women on stage and off, challenged stereotypes of suffragists and actresses, created new work inspired by the movement and was an integral part of the performative propaganda of the campaign. Introducing new archival material to both suffrage and theatre histories, this book is the first to focus in detail on the Actresses' Franchise League, its membership and its work. The volume is formulated as a historiographically innovative critical biography of the organisation over the fifty years of its activities, and invites a total reassessment of the League within the accepted narratives of the development of political theatre in the UK.
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Populism in Europe offers a detailed and systematic analysis of the ideology, electoral and governmental performances, organisational model, type of leadership and member activism of the Northern League under its founder, Umberto Bossi (1991-2012). Based on a wealth of original research, the book identifies the Northern League's consistent and coherent ideology, its strong leadership and its ability to create communities of loyal partisan activists as key ingredients of its success. Through their in-depth analysis, Albertazzi and Vampa show that the League has much to teach us about how populists can achieve durability and rootedness and how parties of all kinds can still benefit from a committed and dedicated membership today.
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The pastor in print explores the phenomenon of early modern pastors who chose to become print authors, addressing ways authorship could enhance, limit or change clerical ministry and ways pastor-authors conceived of their work in parish and print. It identifies strategies through which pastor-authors established authorial identities, targeted different sorts of audiences and strategically selected genre and content as intentional parts of their clerical vocation. The first study to provide a book-length analysis of the phenomenon of early modern pastors writing for print, it uses a case study of prolific pastor-author Richard Bernard to offer a new lens through which to view religious change in this pivotal period. By bringing together questions of print, genre, religio-politics and theology, the book will interest scholars and postgraduate students in history, literature and theological studies, and its readability will appeal to undergraduates and non-specialists.
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During the first half of the twentieth century, world politics was reshaped in pursuit of a new international order. The ideological foundations of the 'new diplomacy' (and its fate during the interwar period) are well known. This book instead examines the practices of internationalism and diplomacy from the First Hague Conference of 1899 to the aftermath of the Second World War. By focusing on these practices, such as disarmament regimes or public diplomacy, and their use as instruments to build international order(s), it emphasises the constructed, contested, and experimental character of what subsequently became a standard repertoire of international politics. Essays from a range of interdisciplinary scholars address well-established principles such as self-determination, and also less prominent practices such as small arms control or parliamentary inquiry. The book makes a major contribution to the growing historiography on twentieth-century internationalism.
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"Lovers of Justice" is a paranormal novel in which several biographies are combined into an artistic whole using the author's signature compositional and stylistic skills. They cry out to become an eight-and-a-half-episode TV saga. Family and political murders, rapes and robberies, depravity of minors and the mysterious separation of the head, ideological betrayals and betrayals for the sake of an idea, are assigned to various devils of the soul and are not always fair, but often terrible punishments. What else is needed for the reader to feel good and realize with pleasure his moral superiority over the unfortunate lovers of capricious Justice?
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Sie trug weder Streitaxt noch Männerkleider wie Jeanne d’Arc, nein, sie betrat die politische Bühne im Kostüm und mit Handtasche. Auf die Frage, wie man sich denn so fühle als weiblicher Premier, antwortete Margaret Thatcher: »Keine Ahnung, ich habe die Alternative nie ausprobiert.« Inzwischen hat nicht nur Deutschland eine Kanzlerin, auch in Liberia, Mosambik, Chile, Neuseeland, Pakistan, Irland, Lettland und Finnland machen Frauen Staat. Hundert Politikerinnen präsentiert Luise F. Pusch in ihrem kleinen »Lexikon«: Madeleine Albright, Michelle Bachelet, Hillary Clinton, Indira Gandhi, Emma Goldman, Tarja Halonen, Alexandra Kollontai, Ulrike Meinhof, Clara Zetkin und viele mehr.
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— True crime stories from the morgue — Famous deaths and autopsy stories resolved, such as Antarctic explorer Sir Ernest Shackleton and the case of Anne Greene, who survived her execution by hanging The post-mortem examination. A glimpse inside the interior of the human being. Many find the idea fascinating; for others it is creepy or even repugnant. There are still numerous myths and horror stories surrounding the autopsy, many of them associated with primal human fears such as that of being buried alive, which have existed since Antiquity. It is precisely for this reason that it is important to carry out the post-mortem examination with the utmost conscientiousness. Pathologist Roland Sedivy provides an exciting insight into his profession. Profound and with tremendous humour, he tells us about the early days of the autopsy, and shares with us some macabre and some mysterious cases.
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The International Working Conference on Stored Product Protection, held every four years, is the premier world forum for the presentation of research results and reviews on the safe storage of durable foodstuffs, of which cereal grains, pulses and oilseeds make up the largest components. This book presents the proceedings of the 8th conference, held in York, UK, in July 2002. This book highlights work on the pests and diseases that may cause spoilage, adverse health effects and loss of the crop after harvest, and discusses new techniques for the safe, effective and environmentally friendly management of stored commodities. With nearly 200 keynote, oral and poster papers and contributions from leading experts from around the world, the contents cover the future of stored product protection and the impacts of global issues, food safety, chemical and physical control, and processing and applications.The volume will interest applied entomologists, plant pathologists, postharvest biologists, and agricultural engineers.
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Andrukhovych’s hero, rock musician Joseph Rotsky, supported the revolution in his home country by being a "barricade pianist". Forced into exile, he earns his living playing salon music. In a Swiss hotel he is forced to perform for his country’s dictator. He throws an egg at him, accidentally killing him. After his release from prison, Rotsky retreats to the Carpathian Mountains, where he is soon found by secret service agents and other sinister characters who are out to get him. His escape takes him as far as Greece – with his raven Edgar and his lover Animé as his faithful companions. He ends up on a prison island on the prime meridian, where he hosts his own radio programme: "Radio Night" – his own label that allows him to broadcast music, poetry and good stories into a darkening world. Yurii Andrukhovych’s long awaited new novel, a revolutionary saga, biographical burlesque and agent thriller set against the backdrop of the immediate present – Andrukhovych pulls out all the artistic stops to counter the fears and real threats with the sovereignty of imagination. Radio Night received great acclaim from readers and critics alike.
