Flanders Literature opens a window on the dynamic and diverse literary landscape in the northern part of Belgium. It puts translators from Dutch in the spotlight and highlights the works of Flemish authors and illustrators abroad. Flanders Literature supports the publication of translations and literary tours abroad by means of grants, that can be applied for by foreign publishers and festival organisers.
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Der Name Carl Hanser steht für ein Verlagshaus mit einer Vielfalt, die ihresgleichen sucht. Der Bogen spannt sich von Kinder- und Jugendliteratur bis zur Gegenwartsliteratur und Sachbüchern aus aller Welt.
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Co-published with Springer, An Anthology of the Twentieth Century Chinese Literature is a major Chinese Literature Going-Out Project. It is funded by the State General administration of Press,Publication, Radio, Film and Television(SGAPPRFT) in China. The anthology contains six volumes: Novels, Novelettes and Short Stories, Poetry, Drama, Prose and Literary Theory Criticism. In this anthology, there are well-chosen representative works written by leading Chinese authors or literature theory critics in the 20th century, including dozens of Chinese literary masters such as Lu Xun, Mao Dun, Ba Jin, Lao She, Shen Congwen and Qian Zhongshu. This anthology is aimed at systematically introducing the overall perspective of Chinese literary creation and theoretical criticism in the 20th century, promoting the development of Chinese literature to the whole world. It is comparable to The Norton Anthology of World Literature and The Longman Anthology of World Literature.
"Twelve Lectures on Modernist Literature" is a review and appreciation of the main modernist literary schools in the 20th century made by the literary critic Liu Qinghua. This book outlines the formation, development, ideological origins, theoretical foundations, and ideological and artistic characteristics of modernist literature. It is divided into eleven topics, respectively, on symbolism, stream of consciousness novels, futurism, expressionism, and surrealism. , Existentialism, Beat Generation and other genres have done systematic research and exposition, and at the same time analyzed and commented on representative writers and works of each genre. For literature lovers and researchers at home and abroad, this book is a rare desk book.
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This book is a collection of 28 essays by one of the most internationally influential Chinese novelists,Yu Hua, who is the most prominent writer in contemporary China. His works have been translated into English, French, German, Italian, Dutch, Persian, Polish, Spanish, Swedish, Serbian, Hebrew,Japanese, Korean, etc. He is also a columnist for New York Times. It is a review of classic works in the history of literature and music, with in-depth personal interpretations and candid appreciations of masters such as Borges, Dostoevsky, Faulkner, Kafka,Shostakovich, and Tchaikovsky. As a reader and listener, the writer tries to analyze the mysteries of the narrative in literature and music, explain the techniques and mysteries of creation. As Yu Hua put it, “Music is created by the heart, and writing touches the depths of music. They are affected by each other and point to the broadness of life together.”
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This book is the first edited collection to focus on the work of contemporary author Hari Kunzru. It contains major new essays on each of his novels - The Impressionist, Transmission, My Revolutions, Gods Without Men, White Tears and Red Pill - as well as his short fiction and non-fiction writings. The collection situates Kunzru's work within current debates regarding postmodernism, postcolonialism, and post-postmodernism, and examines how Kunzru's work is central to major thematic concerns of contemporary writing including whiteness, national identity, Britishness, cosmopolitanism, music, space, memory, art practice, trauma, Brexit, immigration, covid-19, and populist politics. The book engages with current debates regarding the politics of publishing of ethnic writers, examining how Kunzru has managed to shape a career in resistance of narrow labelling where many other writers have struggled to achieve long-term recognition.
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The book, in the form of essays-stories, depicts the life and work of individual personalities who played a significant role in the formation and development of Ukrainian thought, culture, and art. Using colorful means of the artistic word, the author depicts many little-known facts from the lives of outstanding Ukrainian artists, who made a bright contribution to the flourishing of Ukrainian and world culture. The book will be valuable for a narrow circle of specialists and a wide range of readers. It will also be of help to writers, cultural experts, and art critics, as well as to all those who are interested in studying the history of Ukraine based on the examples of the lives and creative achievements of its notable personalities.
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The work of the famous American-Ukrainian Slavologist and Ukrainian scholar Hryhoriy Hrabovych interprets the history of Ukrainian literature in several main ways: theoretical, comparative, immanent and historiographical. The book includes his studies, essays, and polemics written over the years. They were mainly produced in times of a sharp confrontation between official Soviet and Western approaches to literary studies. Today, after Ukraine gained its independence, there is an urgent need for a thorough reassessment of various scientific traditions and paradigms as well as a review of the canon of Ukrainian literature, its histography and methodology. The vast majority of these works were published in English or in sources unavailable for the Ukrainian reader, including specialist researchers. This edition can significantly reorient our understanding of the history of Ukrainian literature and enable a rethinking of Ukrainian cultural and intellectual processes.
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This collection of poems chosen and translated by Yu Kwang-chung, the poet himself, covers over eighty poems from 1958 to 2014. Unlike other poetry anthology, the poems in Night Watchman have been handpicked by the author personally. It includes classic works like Nostalgia, Jadeite Cabbage, Four Songs of Nostalgia, A Tug of War with Eternity, On the Rivers and Lakes, etc. and poems in different styles which have never beenpublished in the mainland before. These works, translated into English by the author，combine the charm of classic Chinese literature and the spirit of modern western literature, and embody the sound interaction between writing and translating.
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This is the first introduction of its kind to an important cross-section of postcolonial African filmmakers from the 1950s to the present. Building on previous critical work in the field, this volume will bring together ideas from a range of disciplines - film studies, African cultural studies, and, in particular, postcolonial studies - in order to combine the in-depth analysis of individual films and bodies of work by individual directors with a sustained interrogation of these films in relation to important theoretical concepts. Structurally, the book is straightforward, though the aim is to incorporate diversity and complexity of approach within the overall simplicity of format. Chapters provide both an overview of the director's output to date, and the necessary background - personal or national, cultural or political - to enable readers to achieve a better understanding of the director's choice of subject matter, aesthetic or formal strategies, or ideological stance. They also offer a particular reading of one or more films, in which the authors aim to situate African cinema in relation to important critical and theoretical debates. This book thus constitutes a new departure in African film studies, recognising the maturity of the field, and the need for complex yet accessible approaches to it, which move beyond the purely descriptive while refusing to get bogged down in theoretical jargon. Consequently, the volume should be of interest not only to specialists but also to the general reader.
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This novel tells a story of two young people’s spiritual love during a car accident in a Utopian-like northern country. It is an Oriental dream between a young man and a young woman. The novel won “Asian Youth Literature Prize” in 2014. Korean and English copyright has been sold.
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Lofu is widely acknowledged as a great poet in contemporary Chinese poetic circles. He has made great contributions through his long poems, which have served to promote the development of contemporary Chinese poetry. His collection of long poems includes “Death in a Stone Cell” and“Floating Wood”. Lofu was a nominee for the Nobel Prize for Literature in 2001 for his long poem “Floating Wood”.
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As one in the “Chinese Writers Going Global” series published by Hunan Literature and Art Publishing House, this collection features six novelettes and short stories by writer Chi Zijian, including Yangko, Traveling towards White Night, My Beloved Potato, The Silver Plate, Washing away Dust with Clean Water, Dusk with a Drizzle on the Grieg Sea, and Night of Laba at the Small Station of Bujilan. These are all outstanding literary works, some of which are winners of the Luxun Literature Award or have been published abroad.
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Dedicated to Qishan soldiers and civilians who died during the Revolution of 1911, a themed publication on the 110th anniversary of the Revolution of 1911. The works refer to historical books such as "The Chronicles of the Revolution of 1911", "The Annals of Qishan County", and "Data of Qishan Literature and History". The most tragic and tragic scene occurred in Qishan County. The Qing troops counterattacked the massacre and the resistance of the soldiers and civilians in the city added a bloody, tragic, and heroic page to the historical narrative.
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Ukrainian literature of the 19th century was far more exciting and diverse than one might imagine. Mykhailo Nazarenko's anthology contains one hundred and fifty texts that are not known or very little known to the modern reader (some of them are reprinted for the first time after 150 years of oblivion). These texts help to understand Ukrainian literary movement in a wider context. The compilation starts with the "The Song of the Black Sea Army" by Anton Golovaty. This novel precedes the famous "Aeneid" and marks the beginning of the printed literature "in the contemporary Ukrainian language". "It is not time..." by Ivan Franko is the last one in the compilation and describes further evolution of the independent Ukrainian literary word. The compilation also contains fifty essays about each of the authors: why did they write in a particular that way and about what? Why did some turn out to be forgotten, while others are remembered for their works?
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A pioneering academic project by Fan Boqun, a founder in the field of Chinese popular literature research, the book is divided into eight compilations: "Social Romance", "Martial Arts Making", "Detective Stories", "Historical Stories", "Humorous Stories", "Popular Drama", "Popular Journals" and "Chinese Modern Popular Literature Memorabilia".
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A story within one day – from 5 a. m. to 5 p. m. A vivid picture of secular life in Beijing. Winner of Mao Dun Literature Prize. Everything begins in an archaic quadrangle dwelling in Beijing, where Xue Jiyue’s mother gets up early to prepare for the son’s wedding banquet.Other characters show up one after another. After narrating their behaviors during the day, the author goes back and tells about their past, with a special concern about the influences from vicissitudes of time, especially how the Cultural Revolution changed those individuals’ courses of life.The Bell Tower and Drum Tower stand there still, witnessing all of those earthshaking changes.
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“Ten Scenes in West Lake” is the work of Wang Xufeng, the famous writer and Mao Dun Literature Award winner, in the background of Hangzhou West Lake. It is a collection of novellas with the historical " Ten Scenes in West Lake " as the starting point. The ten novellas are independent stories and are also connected to each other, forming a series of books that are saturated with the charm of Jiangnan. The book Sunset on the Leifeng Pagoda is one of the novellas. It tells the whole life of Fan Yuanying, Liu Xuexun’s eighth wife. This story has two versions: historical legend and faith history. The text structure of Sunset on the Leifeng Pagoda is the most unique and exploratory. The novel shows the charm of narrative art in the rhythm of tension and relaxation.
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An extraordinary literary experiment influenced by Dream of the Red Chamber. Author’s personal favorite。 Shanghai Literature Award Best Novel. Jiang Yingbo, the eldest daughter of the Jiang family lives a life full of ups and downs. She had her age of innocence, but later gets fettered by the triviality of life; she used to be overwhelmed by passions, but becomes busy coping with various difficulties after marriage. Her brothers and sisters, each with distinct personalities and life choices, journey to their own destinations, some preserve idealism, while others bend their heads towards life. The Culture Revolution is still a key factor which influences those characters’ life. The archways on the old street is a symbol, representing all the vicissitudes the Jiang family experiences during 30 years.
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“Ten Scenes in West Lake” is the work of Wang Xufeng, the famous writer and Mao Dun Literature Award winner, in the background of Hangzhou West Lake. It is a collection of novellas with the historical " Ten Scenes in West Lake " as the starting point. The ten novellas are independent stories and are also connected to each other, forming a series of books that are saturated with the charm of Jiangnan. The book Viewing Fish at Flower Harbor is one of the novels. The author uses goldfish as a clue to tell the love between "I" and childhood playmates and the friendship with classmates Mao Feng etc. There is not only the youth smelling of the school age, but also the sentimental feeling of stepping into the changeable society. Once pure feeling became disfigured by money, drugs, hence pond water and that goldfish no longer exist.
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Poetic,colorful ceramicsare the great invention and wisdom crystallization of the Chinese nation. Changsha colorful ceramics belong to both China and the world, and it is the way leading to the world.
