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View Rights PortalThis edition of the best of Chaucer' s shorter poems ranges widely over the major concerns necessary to a full understanding of the text, including its occasion, literary tradition, sources, rhetoric, language, metre, mythology and themes. It is an edition which will appeal both to students and to general readers who wish to extend their knowledge of medieval English poetry. ;
Rereading Chaucer and Spenser is a much-needed volume that brings together established and early career scholars to provide new critical approaches to the relationship between Geoffrey Chaucer and Edmund Spenser. By reading one of the greatest poets of the Middle Ages alongside one of the greatest poets of the English Renaissance, this collection poses questions about poetic authority, influence, and the nature of intertextual relations in a more wide-ranging manner than ever before. With its dual focus on authors from periods often conceived as radically separate, the collection also responds to current interests in periodisation. This approach will engage academics, researchers and students of Medieval and Early Modern culture.
Die Liebe zwischen dem schüchternen trojanischen Prinzen Troilus und der schönen Criseyde ist der Stoff, aus dem Geoffrey Chaucer Ende des 14. Jahrhunderts den ersten englischen Roman gemacht hat: eine turbulente, witzige, groteske Liebesgeschichte.
Author of The Canterbury Tales and foundation of the English literary tradition, Geoffrey Chaucer has been popular with readers, writers and scholars for over 600 years. More than 4600 books, essays, poems, stories, recordings and websites pertaining to Chaucer were published between 1997 and 2010, and this bibliography identifies each of them separately, providing publication information and a descriptive summary of contents. The bibliography also offers several useful discovery aids to enable users to locate individual items of interest, whether it be a study of the Wife of Bath's love life, a video about Chaucer's language, advice on how to teach a particular poem by Chaucer, or a murder mystery that features Chaucer as detective. Useful for scholars, teachers and students alike, this volume is a must for academic libraries.
Drawing on the work of British sculptor Antony Gormley, alongside more traditional literary scholarship, this book argues for new relationships between Chaucer's poetry and works by others. Chaucer's playfulness with textual history and chronology anticipates how his own work is figured in later - and earlier - texts. Responding to this, the book presents innovative readings of the relationships between medieval texts and early modern drama, literary texts and material culture. It re-energises conventional models of source and analogue study to reveal unexpected - and sometimes unsettling - literary cohabitations. At the same time, it exposes how associations between architecture, pilgrim practice, manuscript illustration and the soundscapes of dramatic performance reposition how we read Chaucer's oeuvre and what gets made of it. An invaluable resource for scholars and students of all levels with an interest in medieval English literary studies and early modern drama, Transporting Chaucer offers a new approach to how we encounter texts through time.
Die 24 Geschichten, die sich die Teilnehmer einer Pilgergruppe während einer Wallfahrt vom Londoner Gasthaus »Heroldsrock« zum Heiligenschrein des Thomas á Becket erzählen, vermitteln einen anschaulichen Eindruck von der Buntheit und Vielfalt des mittelalterlichen Lebens.
This invigorating study places medieval romance narrative in dialogue with theories and practices of gift and exchange, opening new approaches to questions of storytelling, agency, gender and materiality in some of the most engaging literature from the Middle Ages. It argues that the dynamics of the gift are powerfully at work in romances: through exchanges of objects and people; repeated patterns of love, loyalty and revenge; promises made or broken; and the complex effects that time works on such objects, exchanges and promises. Ranging from the twelfth century to the fifteenth, and including close discussions of poetry by Chaucer, the Gawain-Poet and romances in the Auchinleck Manuscript, this book will prompt new ideas and debate amongst students and scholars of medieval literature, as well as anyone curious about the pleasures that romance narratives bring.
The idea of the end is an essential motivic force in the poetry of Geoffrey Hill (1932-2016). This book shows that Hill's poems are characteristically 'end-directed'. They tend towards consummations of all kinds: from the marriages of meanings in puns, or of words in repeating figures and rhymes, to syntactical and formal finalities. The recognition of failure to reach such ends provides its own impetus to Hill's poetry. This is the first book on Hill to take account of his last works. It is a significant contribution to the study of Hill's poems, offering a new thematic reading of his entire body of work. By using Hill's work as an example, the book also touches on questions of poetry's ultimate value: what are its ends and where does it wish to end up?