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      • Fiction

        The Picture Bride

        by Lee Geumyi

        AN UPMARKET COMMERCIAL NOVEL about three Korean women in 1910 who are mail-order brides ("picture brides") to Korean laborers in Hawaii. They escape their lives of oppression dreaming of better circumstances in America, but things in Hawaii don't quite turn out the way they expect. A great plot and voice, the descriptions of immigrant life in Hawaii in the early 20th century are so vivid, and I think you'll REALLY like these three women, they're kind of fabulous; strong female characters grappling with social change.Complete English translation available (400 pages)

      • Fiction

        Sequel to The Only Child​

        by Seo Mi Ae

        This is the 2n​ d​ book in the trilogy which also can be read as a stand alone. ​The Only Child 2​ is a psychological thriller compared to Thomas Harris’ Silence of the Lambs.Unkyung, who’s married to a surgeon and just found out she’s pregnant with his child, feels like a tightrope walker at all times. Her stepdaughter, Hayoung, is one unnerving mystery that flails a knife at a stray bat. Her husband has also proven to be a tough nut to crack, even more so when he insists on moving against her will, supposedly for the wellbeing of her and their unborn child. While she tries to adapt to her new life in a small seaside village, terrifying truths from the past, one by one, surface—about her stepdaughter, her husband, his dead ex-wife, and the house they’ve moved into.

      • Fiction

        Where are the Bodies?​

        by Park Yeon-sun

        Musun, a twenty-year-old college drop-out is left to care for her 80-year-old Grandma Kang, after the death of her grandfather. Marooned in a tiny mountain village, with no TV, cable, internet or phone service, Musun feels doomed to have the worst summer of her life. That is, until she happens across an old map which causes her to embark on an unsolved mystery that has hung over the village: what happened to four young girls who disappeared fifteen years ago? With her irascible Grandma Kang, and a young village boy, this unlikely threesome solves the mystery that has plagued the village andMusun ends up having a summer to be remembered! With the humor of Un-su Kim’s The Plotters,​ a Korean Nancy Drew, and like an Agatha Christie.

      • Fiction

        Prism​

        by Won-Pyung Sohn

        A heart-warming contemplation on acceptance and healing, in nimble, observant, and poetic prose not unlike Celeste Ng A story about men and women in their twenties and thirties making peace with the worldandthemselves,​Prism delves into the complexity of human relationship and how the sheer fact of coexistence, as much as it complicates, can also heal sometimes. It is a series of coincidences that bring together four young people, Yejin, Jane, Hogye, and Dowon. Hogye, who works at Jane’s bakery “East Flour,” comes into contact with Yejin while hanging out with insomniacs’ club members. Yejin has a crush on Dowon who works in the movie industry and who, as it turns out, has a complicated history with Jane. As these four people are brought, and at times forced, together, they evolve in different ways. Jane realizes that she’s no longer the twenty something who wanted to be a professional musician, and that she has come to truly love what she only thought was a way of making a living: baking. Yejin, who was in the habit of getting herself into one-sided love affairs, finds her way to a happier, more realistic relationship. Hogye acknowledges his anger issues, learns to forgive and embrace his dysfunctional family, and finds the artist in himself. Dowon finally comes face to face with his unhappiness and the emotional tolls his first wife’s death took on his romantic life. At the end of ​Prism ,​ each of them still harbors the pain that comes with human connections. But not one of them takes a step back. All of them move decidedly on, either towards or away from one another. Partial Available.

      • Fiction

        Bunker X Burim District​

        by Young sook Kang

        IT IS ONE YEAR AFTER THE EARTHQUAKE nicknamed ‘The Big One’ destroyed everything in Burim District, and Yujin is living in a bunker. This is the bunker Yujin found after wandering from shelter to shelter. She lives in the damp and stuffy bunker with 10 other people, surviving off any debris they can find and the survival kits occasionally distributed to them from the outside. The first thing that jumps out at readers about this book is the desolate life in the bunker and the ashen landscape of District Burim which was razed to the ground by an earthquake. Young-sook Kang, who has frequently dealt with the topics of cities and disasters in her novels, paints an even more vivid and shocking depiction of disasters in this book. In particular, the memories that South Koreans have of recent. The reason why Yujin and the other survivors of ‘The Big One’ must live in the bunker is because the government judged that Burim District was a polluted area after the earthquake, subsequently isolating it from the rest of the world. People are allowed to leave Burim District and settle in nearby N city, but in order to do this they must first put a biometric chip in their bodies and become ‘objects of management’. The people who cannot—or will not—do this have no choice but to remain in the bunker. But one day, people in gray hazmat suits come into Burim District carrying a large human-sized machine. It doesn’t take long before people start disappearing from the bunker and rumors start surfacing. Now Yujin, who has been sending people one by one to N city, begins to wonder if she can survive till the end. At the same time, while describing the history of Burim District and showing how there were already cracks and gaps existing beneath the surface of everyday life, Young-sook Kang imagines an earthquake that instantly makes the social inequalities painfully apparent. Before ‘The Big One’, Burim District was already a failing city. Although it enjoyed a short-lived boom from the iron industry, closures and suspended projects for redevelopment caused the city to be abandoned. Eventually Burim District became the home for all of society’s rejects—people who have no place to go because they have either failed in the big city or because they are sick. The image of a government that so quickly labels, isolates, and abandons a failed city where people whom no one cares for live, feels less like fiction and more like the inequalities that are present in every corner of our society today.

      • Fiction

        Violets

        by Kyung Sook Shin

        A NEGLECTED YOUNG WOMAN experiences the violence and isolation of contemporary Korean society. Han Kang’s The Vegetarian meets Elfriede Jelinek’s The Piano Teacher. The book is a close observation of what would otherwise be “a story soon to forget” of a young woman everyone forgot, including her own parents. There are countless moments of casual and not-so-casual moments of violence: a pregnant stray cat rejected by everyone, including the flower shop’s owner who tries throwing it away but relents when the cat crawls back; the landlord’s daughter yearning for a piano, and once obtained, her father destroying it in a fit of rage, prompting his daughter to finally call the police on him; the repeated image of the lush, green dropwort field, the site of San’s happiest memory, but also the beginning of her saddest. These are interspersed with many closely observed details such as a descriptive passage on Venus-fly-traps, a scene with a caged dog, and a plethora of place-names in northern Seoul where the author still lives to this day. The prose is unhurried, concise, and above all, intimate. The original title is taken from the flower violets as well as the aural similarity to the English word “violence”; in other words, the title is English to begin with. Violets was published six years before The Vegetarian. “Kyung-Sook Shin’s novel bears none of the anxiousness or cunning of a narrator eager to grab hold of a reader. She takes her time, pays attention to things that seem insignificant but beautiful, and eventually binds a spell around the reader until the very end. What seems like a series of random thoughts always ends up as a setup to a greater effect down the line, and one marvels at her sense of structure and design. I liken the charm of Shin’s writing to the consolations of a lush plant.” —Park Wanseo, bestselling novelist

      • Fiction

        The Cabinet

        by Un-su Kim

        THE CABINET IS A STORY ABOUT THE DOCUMENTS that record these symptomers and the man who manages the documents in Cabinet 13. This seemingly ordinary, old cabinet is filled with stories that are peculiar, strange, eye-popping, disgusting, enraging, and touching. However, the fast changing world is also full of all sorts of unbelievable things. Perhaps symptomers exist not only in the novel but also in the real world. Perhaps some of us do not accept our past and instead, erase our memories and create new ones. Some of us might want to become a wooden doll or a cat rather than live in pain as a human. And if you look around, you can find those who can love no one but themselves or their alter egos.The narrator is an office worker in his 30s, as ordinary as the cabinet. But he once spent 178 days drinking nothing but cans of beer. And his colleague Son Jeong-eun is a quiet, chubby girl who draws nobody’s attention. But she also has a strange habit of devouring more than 100 pieces of sushi at once. In this novel, the cabinet is a container that holds all the truths of the world. Kim Un-su puts truth into the cabinet “as it is” and keeps it fresh under proper temperature and moisture, utilizing his precise prose and rich style. Each episode, preposterous and weird, is intricately interwoven with the narrator’s story piles atop each other like Lego blocks that form a perfectly assembled structure. Unfolding peculiar and heart-freezing episodes, the author tells us that this is an ‘ordinary’ story and at the same time, the truth “as it is,” as natural as the wind blowing, flowers blossoming and snow falling. The moment you turn the last page of the book, you will come to think about which strange stories are inside your own cabinet. And you will be also curious about what story the author will pull out of his cabinet next time.

      • Fiction

        Lemon

        by Kwon YeonSun

        THOUGH THE BOOK LOOSELY FOLLOWS THE STRUCTURE OF A DETECTIVE NOVEL, finding the perpetrator is not the main objective here. Instead, the work explores grief and trauma, and asks important questions about guilt, retribution, and the meaning of death and life. In the summer of the 2002, when Korea is abuzzwith the Korea-Japan FIFA World Cup, a beautiful nineteen-year-old girl named Hae-on is murdered in what would become known as the High School Beauty Murder. There are two suspects: rich boy Shin Jeongjun, whose car Hae-on was last seen in, and fried chicken delivery boy Han Manu, who witnesses Hae-on in the passenger seat of Jeongjun’s car just a few hours before her death. The novel begins with a scene in which Hae-on’s younger sister imagines a police detective interrogating Han Manu.However, Jeongjun’s alibi turns out to be solid, and no evidence can be pinned on Manu, the identity of the murderer is never discovered. The case remains unsolved for years, throwing the people surrounding the event into turmoil, especially Da-on, who is unable to move on with her life. In the course of the next seventeen years, she undergoes plastic surgery to look like her sister and even gives her own daughter a name very similar to her sister’s, ultimately setting out to discover the truth of what happened, all in hopes that she would recover some ofwhatshehaslost. Lemonistoldatdifferentpointsintimefromthreedifferentalternating female perspectives: Da-on, Hae-on’s younger sister; Tae-rim, Hae-on’s classmate who was jealous of her; and Sanghui, another classmate of Hae-on’s who also knew Da-on.

      • Fiction

        28

        by You-jeong Jeong

        28 SYNOPSIS THIS ADRENALINE-FILLED NOVEL is written from the six characters’ intersecting points of view, a stark reminder that no event is ever clear-cut.Brimming with characters that are larger than life and embroidered with evocative meditations on humanity, ​28 is a riveting ride of fear, despair, and the power of empathy. This blockbuster of a novel is reminiscent of the very best of Stephen King and is sure to be a worldwide sensation. A thrilling, multilayered tale of undying loyalty and unlikely kinship during uncertain times, ​28 is the explosive new bestseller by You-jeong Jeong, the celebrated Korean master of suspense. Injecting her trademark precision and complex, irresistible characters into this story of a city overtaken by a mysterious disease, Jeong has crafted an intricate study of the true form human nature takes during disaster and the resulting anarchy. In a small, quiet city near Seoul, a dog breeder is discovered near death in his apartment, his skin sallow and his eyes bloodshot. The place is overrun with caged dogs; they too are dead or dying. Only one manages to escape—Ringo, a hulking wolf-dog. Although emergency technicians rush the breeder to the hospital, he hemorrhages to death. A few days later, the same emergency technicians are brought to the hospital exhibiting identical symptoms, all except Gi-jun, who entered the apartment first. Afraid that he might be infected as well, he stays away from his wife and young daughter and dives into work.Soon, the hospital staff begins succumbing to the disease, and Su-jin, a junior emergency room nurse, is pulled in to cover for her colleagues. Entire neighborhoods are stricken and the hospital is overrun with the dead and dying. Soon the military enforces a quarantine of the city and declares martial law. Su-jin periodically stops by the apartment she shares with her father but she is consumed with anxiety—her father is nowhere to be found. Around the same time, the city’s elusive veterinarian, Jae-hyeong, once an up-and-coming musher in Alaska, begins to see more canine patients in his dog shelter. He is also trying to get rid of a brash, insistent reporter, Yun-ju, who wrote a damning article accusing him of killing his sled dogs many years ago in Alaska and doing the same to the animals in his shelter. Acting on an anonymous tip, Yun-ju was trying to get more information about Jae-hyeong when the quarantine strands her in the city. Although Jae-hyeong is initially standoffish, he asks for Yun-ju’s help when he unexpectedly finds himself a guardian of a young blind girl. As Jae-hyeong and Yun-ju begin to understand each other’s strengths and passions, they gradually develop a mutual affection.Yun-ju’s anonymous source is Dong-hae, who has an axe to grind with Jae-hyeong. Years ago, he was beating his father’s beloved dog, Cookie, when Jae-hyeong intervened and rescued the animal. Jae-hyeong’s involvement brought Dong-hae’s violence to the attentionof his father, who then sent him to the military. Now that Dong-hae is back in town, he is obsessed with revenge. He stalks Jae-hyeong, waiting for a chance to snatch Cookie so he can finish the dog off. He also stalks his parents, resentful of having always been the black sheep. With sociopathic conviction, Dong-hae roams the stricken city, focused only on his own mission. But when Dong-hae accidentally kidnaps Star, another one of Jae-hyeong’s dogs, instead of Cookie, he launches a tangled web of events that end with his death. Ringo, who has been hiding in the woods since his escape, rescues Star. Ringo is madly in love with Star, and the two dogs stay together, away from the chaos. Soon, people realize the disease originated in dogs, and the government sends armed military personnel to round up dogs and kill them. Eventually, the government cuts off all access to the outside, including internet and cell phone service, and the military stands by as the city descends into violent riots, looting, and other crime. As people try to flee the city on covert midnight journeys through the woods, rumors abound that the military is shooting anyone who attempts to break the quarantine. With nobody to trust and a large number of townspeople succumbing to this mysterious disease, Gi-jun, Su-jin, Jae-hyeong, Yun-ju, and Dong-hae try to survive in their own ways, feeling increasingly abandoned and isolated. Some of them begin to descend into madness, as others dig deep to do the right thing. In the end, as the military slaughters protesting civilians, Gi-jun, Jae-hyeong, and Ringo face off, fueled by sorrow, revenge, and despair.

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