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      • Trusted Partner
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        Films, cinema
        August 2017

        Decentring France

        Multilingualism and power in contemporary French cinema

        by Gemma King

        In a world defined by the flow of people, goods and cultures, many contemporary French films explore the multicultural nature of today's France through language. From rival lingua francas such as English to socio-politically marginalised languages such as Arabic or Kurdish, multilingual characters in these films exploit their knowledge of multiple languages, and offer counter-perspectives to dominant ideologies of the role of linguistic diversity in society. Decentring France is the first substantial study of multilingual film in France. Unpacking the power dynamics at play in the dialogue of eight emblematic films,this book argues that many contemporary French films take a new approach to language and power, showing how even the most historically-maligned languages can empower their speakers. Through studies on social power combined with close film analysis, this book offers a unique insight to academics and students alike, into the place of language and power in French cinema today.

      • Trusted Partner
        The Arts
        September 2015

        Film modernism

        by Sam Rohdie

      • Trusted Partner
        The Arts
        September 2015

        Film modernism

        by Sam Rohdie

      • Trusted Partner
        The Arts
        December 2015

        Classical Hollywood cinema

        Point of view and communication

        by James Zborowski

      • Trusted Partner
        The Arts
        May 2016

        Capital and popular cinema

        The dollars are coming!

        by Valentina Vitali

      • Trusted Partner
        The Arts
        December 2015

        Classical Hollywood cinema

        Point of view and communication

        by James Zborowski

      • Trusted Partner
        Film theory & criticism
        February 2014

        The Encyclopedia of British Film

        Fourth edition

        by Edited by Brian McFarlane

        With well over 6,300 articles, including over 500 new entries, this fourth edition of The Encyclopedia of British Film is a fully updated invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with detailed listings of the producers, directors, actors and studios behind a century or so of great British cinema. Brian McFarlane's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies and this fourth edition will be an essential work of reference for enthusiasts interested in the history of British cinema, and for universities and libraries.

      • Trusted Partner
        The Arts
        July 2010

        Richard Lester

        by Neil Sinyard, Brian McFarlane, Neil Sinyard

        Richard Lester is of the most significant yet misunderstood directors of the post-war era. Indelibly associated with the Beatles and the 'swinging Sixties' because of his direction of A Hard Day's Night and Help and his joyous sex comedy The Knack, Lester has tended to be categorised as a modish director whose heyday passed when that decade's optimism slid into disillusionment and violence. This book offers a critical appreciation and reappraisal of his work, arguing that it had much greater depth and variety than he has been given credit for. His versatility encompasses the Brechtian anti-heroics of How I Won the War; the surreal nuclear comedy of The Bed-Sitting Room and the swashbuckling adventure of The Musketeers films. He has even, in his instinctively iconoclastic manner, cut Superman down to size. The book should win new admirers for a director with a gift of making movies whose visual wit and imaginative imagery reveal an intelligent and enquiring scepticism about heroes and society. Including comments from Lester himself and illustrations from his own private collection, the book is a must for film scholars and enthusiasts alike. ;

      • Trusted Partner
        Film theory & criticism
        July 2013

        The British New Wave

        A certain tendency?

        by B. F. Taylor

        This book offers an opportunity to reconsider the films of the British New Wave in the light of forty years of heated debate. By eschewing the usual tendency to view films like A Kind of Loving and The Entertainer collectively and include them in broader debates about class, gender, and ideology, this book presents a new and innovative look at this famous cycle of British films. For each film, a re-distribution of existing critical emphasis also allows the problematic relationship between these films and the question of realism to be reconsidered. Drawing upon existing sources and returning to long-standing and unchallenged assumptions about these films, this book offers the opportunity for the reader to return to the British New Wave and decide for themselves where they stand in relation to the films.

      • Trusted Partner
        Film theory & criticism
        July 2013

        The British New Wave

        A certain tendency?

        by B. F. Taylor

        This book offers an opportunity to reconsider the films of the British New Wave in the light of forty years of heated debate. By eschewing the usual tendency to view films like A Kind of Loving and The Entertainer collectively and include them in broader debates about class, gender, and ideology, this book presents a new and innovative look at this famous cycle of British films. For each film, a re-distribution of existing critical emphasis also allows the problematic relationship between these films and the question of realism to be reconsidered. Drawing upon existing sources and returning to long-standing and unchallenged assumptions about these films, this book offers the opportunity for the reader to return to the British New Wave and decide for themselves where they stand in relation to the films.

      • Trusted Partner
        Film theory & criticism
        July 2012

        The British New Wave

        A certain tendency?

        by B. F. Taylor

        This book offers an opportunity to reconsider the films of the British New Wave in the light of forty years of heated debate. By eschewing the usual tendency to view films like A Kind of Loving and The Entertainer collectively and include them in broader debates about class, gender, and ideology, this book presents a new and innovative look at this famous cycle of British films. For each film, a re-distribution of existing critical emphasis also allows the problematic relationship between these films and the question of realism to be reconsidered. Drawing upon existing sources and returning to long-standing and unchallenged assumptions about these films, this book offers the opportunity for the reader to return to the British New Wave and decide for themselves where they stand in relation to the films.

      • Trusted Partner
        The Arts
        July 2006

        The British New Wave

        A certain tendency?

        by B. F. Taylor, Susan Wililams

        This book offers an opportunity to reconsider the films of the British New Wave in the light of forty years of heated debate. By eschewing the usual tendency to view films like A Kind of Loving and The Entertainer collectively and include them in broader debates about class, gender, and ideology, this book presents a new and innovative look at this famous cycle of British films. For each film, a re-distribution of existing critical emphasis also allows the problematic relationship between these films and the question of realism to be reconsidered. Drawing upon existing sources and returning to long-standing and unchallenged assumptions about these films, this book offers the opportunity for the reader to return to the British New Wave and decide for themselves where they stand in relation to the films. ;

      • Trusted Partner
        Film scripts & screenplays
        July 2013

        The cinema of Álex de la Iglesia

        by Peter Buse, Núria Triana-Toribio, Andrew Willis

        Álex de la Iglesia, initially championed by Pedro Almodóvar, and at one time the enfant terrible of Spanish film, still makes film critics nervous. The director of some of the most important films of the Post-Franco era - Acción mutante, El día de la bestia, Muertos de risa - receives here the first full length study of his work. Breaking away from the pious tradition of acclaiming art-house auteurs, The cinema of Álex de la Iglesia tackles a new sort of beast: the popular auteur, who brings the provocation of the avant-garde to popular genres such as horror and comedy. This book brings together Anglo-American film theory, an exploration of the legal and economic history of Spanish audio-visual culture, a comprehensive knowledge of Spanish cultural forms and traditions (esperpento, sainete costumbrista) with a detailed textual analysis of all of Álex de la Iglesia's seven feature films.

      • Trusted Partner
      • Trusted Partner
        Film scripts & screenplays
        July 2012

        The cinema of Álex de la Iglesia

        by Peter Buse, Núria Triana-Toribio, Andrew Willis

        Álex de la Iglesia, initially championed by Pedro Almodóvar, and at one time the enfant terrible of Spanish film, still makes film critics nervous. The director of some of the most important films of the Post-Franco era - Acción mutante, El día de la bestia, Muertos de risa - receives here the first full length study of his work. Breaking away from the pious tradition of acclaiming art-house auteurs, The cinema of Álex de la Iglesia tackles a new sort of beast: the popular auteur, who brings the provocation of the avant-garde to popular genres such as horror and comedy. This book brings together Anglo-American film theory, an exploration of the legal and economic history of Spanish audio-visual culture, a comprehensive knowledge of Spanish cultural forms and traditions (esperpento, sainete costumbrista) with a detailed textual analysis of all of Álex de la Iglesia's seven feature films.

      • Trusted Partner
        The Arts
        March 2013

        Space and being in contemporary French cinema

        by James S. Williams

        This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new 'space of the cinematic subject'. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies. Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser) ;

      • Trusted Partner
        The Arts
        November 2006

        Spanish visual culture

        Cinema, television, internet

        by Paul Julian Smith, Susan Williams

        This book is the first to explore three visual media in contemporary Spain: cinema, television and the internet. It also examines cultural products in each of these media in terms of three vital themes: emotion, location and nostalgia. The first two chapters focus on emotion. They analyze the 'emotional imperative' in a recent Almodóvar feature film and in Spanish television's top-rated period drama, and investigate the politics of affect in TV drama in the last decade. The next pair of chapters deal with location. They use cultural geography to re-read contradictory accounts of the movida (the post-Franco cultural boom) and examine an attempt to anchor a US-derived genre (the youth movie) in the urban landscape of Madrid. The fifth and sixth chapters introduce the theme of location into nostalgia. They treat the unique cases of a successful Spanish heritage movie and a contemporary Spanish thriller remade in Hollywood. The peunultimate chapter investigates electronic artists and the virtual universe, and the book ends with a look at the implications of Hispano-Mexican co-productions and the interconnectedness of economic and aesthetic cultural forms. ;

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