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Description
The main focus of this volume, therefore, is on forms of musical belonging not bound by national identity, which take place in contexts of appropriation and displacement. The essays collected here address different modes of musical self-expression through the art of others and frame music as a unique medium of desire, which not only channels the experience of belonging during times of social and political upheaval, but also induces its opposite – non-belonging, detachment and dissent.
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