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        January 2016

        Sixty Years of Taohuawu New Year's Printings

        by Taohuawu Printings House

        Taohuawu New Year's Printings is a tradition of Chinese art and, as such, is representative of the type of cultural work highly valued by Phoenix Fine Arts Publishing. This book delves deep into the history and traditions of New Year woodcut printing and explores the ways in which the art form has changed over the past 60 years. Furthermore, the book traces the interplay of ethnic Chinese art and that of other cultures in recent decades. The book is a seminal text exploring the origins of the art and the manifold ways it has developed.

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        Social & cultural history
        October 2000

        Women's leisure in England 1920–60

        by Claire Langhame

        This insightful book offers a timely assessment of the complex relationship between women and leisure in England, drawing upon recent feminist theory. Departing from approaches which focus on particular activities or institutions, it places everyday experiences at its centre, presenting a wide-ranging and lively account of changing perceptions, representations and experiences of leisure across the period 1920-60. It addresses the nature of leisure within women's lives, examining shifting understandings of the concept and identifying areas of definitional ambiguity such as the 'family' holiday, shopping and handicrafts. Focusing upon experiences of leisure across the life cycle, it provides a detailed assessment of the particular forms of leisure enjoyed by women at distinct stages of their lives, including cinema-going, dancing, socialising and home-based pursuits. The book demonstrates that experiences and perceptions of leisure were fundamentally structured along life cycle lines: leisure in youth was often characterised by freedom and independence whilst leisure in adulthood became a vehicle for service and duty to others.

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        Literature & Literary Studies
        January 2023

        Objects of affection

        The book and the household in late medieval England

        by Myra Seaman

        Objects of affection recovers the emotional attraction of the medieval book through an engagement with a fifteenth-century literary collection known as Oxford, Bodleian Library Manuscript Ashmole 61. Exploring how the inhabitants of the book's pages - human and nonhuman, tangible and intangible - collaborate with its readers then and now, this book addresses the manuscript's material appeal in the ways it binds itself to different cultural, historical and material environments. In doing so it traces the affective literacy training that the manuscript provided its late-medieval English household, whose diverse inhabitants are incorporated into the ecology of the book itself as it fashions spiritually generous and socially mindful household members.

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        Literature & Literary Studies
        July 2024

        Mid-century women's writing

        Disrupting the public/private divide

        by Melissa Dinsman, Megan Faragher, Ravenel Richardson

        The traditional narrative of the mid-century (1930s-60s) is that of a wave of expansion and constriction, with the swelling of economic and political freedoms for women in the 1930s, the cresting of women in the public sphere during the Second World War, and the resulting break as employment and political opportunities for women dwindled in the 1950s when men returned home from the front. But as the burgeoning field of interwar and mid-century women's writing has demonstrated, this narrative is in desperate need of re-examination. Mid-century women's writing: Disrupting the public/private divide aims to revivify studies of female writers, journalists, broadcasters, and public intellectuals living or working in Britain, or under British rule, during the mid-century while also complicating extant narratives about the divisions between domesticity and politics.

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        Literature & Literary Studies
        October 2012

        The Narrative of Carlos Fuentes

        Family, text, nation

        by Steven Boldy

        This study examines the full range of Carlos Fuentes' art, from the critical realism of his early novels to his highly experimental novels of the late sixties, and to his novels from the eighties where national identities are playfully evoked and largely dismantled through intertextual games, migrations of people and ideas ;

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        Literature & Literary Studies
        2005

        Window that Flies

        by Vasyl Holoborodko

        The first and the most diverse edition of the selected works of the famous poet, laureate of the Shevchenko National Literary Prize of Ukraine collected under the title “The Window that Flies”. It includes all the best that was written by the author on the eve of his sixtieth birthday. The ancient world of native mythology and fairy tales comes to life in the work of the most prominent post-sixties poet Vasyl Holoborodko. Probably, this search for something nationally specific, which stretched on for years continues to this day.

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        The Arts
        September 2007

        Politics and painting at the Venice Biennale, 1948–64

        Italy and the Idea of Europe

        by Nancy Jachec, Marsha Meskimmon, Shearer West, Tim Barringer

        Although cultural exchanges were named within the Council of Europe in the mid- 1950s as being second only in importance to the military as a tool for ensuring a stable and integrated Western Europe in the aftermath of the Second World War, European-led initiatives have generally been overlooked in the historiography of art of the immediate post-war period. Popularly remembered as the era of the United States' cultural 'triumph', American Abstract Expressionism in particular is commonly identified as the cultural 'weapon' by which that nation conquered Western European culture. Using the Venice Biennale as a case study, this book challenges the idea that there was an American cultural conquest in the 1950s through the fine arts, arguing instead that Western Europe retained a strong sense of world cultural leadership in the immediate post-war years. An institutional history that combines political and diplomatic with art history, and is informed by extensive archival research, it argues that Italian political and cultural figures actively promoted the 'Idea of Europe' - the Council of Europe's cultural initiative of 1955 designed to promote the idea of a homogeneous post-war European culture - at the Biennale in the form of gesture painting as an international style, as the emblem of a culturally united Western Europe, and as the repository of universal humanist values for the international community. Scholarly but accessible, this book will be of interest not only to researchers and to students of international cultural relations during the Cold War, but to general, interested readers, too. ;

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        True stories
        2018

        History's Carnival

        by Leonid Plyushch

        A memoir and autobiography of Ukrainian mathematician Leonid Pliushch (1939-2015), one of the most famous dissidents of the USSR. It was first published in the West in 1979 in five languages (Russian, French, English, Italian and Ukrainian) and it belongs to the "treasury" of anti-totalitarian resistance literature. Analyzing his life path from his postwar childhood to the Dnipropetrovsk psychiatric prison, where he was thrown with the beginning of repressions in 1972, Leonid Pliushch creates an invaluable panoramic portrait of the generation of "sixties", which was given a chance to free their mind from authoritarianism. The text is presented in the author's edition of 2002 with appendices and foreword by Oksana Zabuzhko.

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        Fiction

        THE GERMAN GIRL

        by Ulrike Sterblich

        New York City in the sixties: the city that never sleeps, because they have plenty of pills for that. And in between, a girl from West Berlin. Mona is young, pretty and recently moved to New York to make a career for herself. The city that never sleeps hasn't been waiting for her. Although she does quickly meet two men: East Coast aristocrat Sidney, and dark-haired bohemian Adam. Torn between the two, Mona drifts through a world that is supplied with "vitamin injections" by Max Jacobson, aka Dr Feelgood, who fled from the Nazis in Berlin. And so a second thread weaves its way into the story: star photographer Mark Shaw, one of Dr Feelgood’s patients, is found dead in his apartment one day. A coroner starts investigating. There is a lot to be examined, and it involves the rich and beautiful and powerful all the way to the White House …

      • Trusted Partner
        September 1993

        62/Modellbaukasten

        Roman

        by Julio Cortázar, Rudolf Wittkopf

        Julio Cortázar wurde am 26. August 1914 in Brüssel geboren. Mit seinen argentinischen Eltern zog er im Alter von vier Jahren in einen Vorort von Buenos Aires. Er absolvierte dort an einer sogenannten »Escuela Normal« eine Ausbildung zum Grundschullehrer und nahm ein Universitätsstudium auf, das er aber er aus finanziellen Schwierigkeiten frühzeitig abbrechen musste. Er arbeitete dann als Lehrer in verschiedenen Provinzschulen und begann in dieser Zeit, sich ernsthaft dem Schreiben zuzuwenden. 1938 erschien ein erster Gedichtband, und 1944 veröffentlichte er seine erste Erzählung in einer Zeitschrift. Im selben Jahr erhielt er an der Universität von Mendoza (Argentinien) eine Dozentur für französische Literatur, aber schon 1946, aus Protest gegen den Wahlsieg Peróns, legte er sein Lehramt nieder. Er veröffentlichte weiter in Zeitschriften, ließ sich zum Übersetzer für Englisch und Französisch ausbilden und erhielt 1951 ein Stipendium des französischen Staates. Er ging nach Paris, wo er bis 1974 als Übersetzer für die UNESCO tätig war. In Paris verfasste er 1963 auch den Roman Rayuela (dt. Rayuela. Himmel und Hölle), der in den sechziger Jahren zum »Kultbuch« einer ganzen Generation von Intellektuellen und Studenten wurde. In Rayuela thematisiert er in provokanter Weise den künstlerischen Schaffensprozess, indem er neben der Handlung selbst »entbehrliche« Kapitel, wie er sie nennt, einfügt, in denen er die ästhetischen Prämissen des Buchs diskutiert. Seit Mitte der sechziger Jahre erschienen erste Übersetzungen seiner Erzählungen ins Englische, Französische, Italienische und Deutsche, und sein internationaler Ruf begann stetig zu wachsen. Es sind vor allem seine Erzählungen (die deutsche Gesamtausgabe, Die Erzählungen, erschien 1998 bei Suhrkamp), die Cortázar bald zu einem der originellsten und kreativsten Autoren Lateinamerikas machten. Seit den sechziger Jahren engagierte sich Cortázar, wie viele lateinamerikanische Intellektuelle, zunehmend politisch, unterstützte die kubanische Revolution, die Regierung Allendes und später auch die sandinistische Revolution in Nicaragua. Sein Gesamtwerk umfasst außer Romanen und Erzählungen auch Theaterstücke, Lyrik und verschiedene Bände mit Kurzprosa; es weist ihn als einen der bedeutendsten Autoren des 20. Jahrhunderts aus. Julio Cortázar starb am 12. Februar 1984 in Paris.

      • Trusted Partner
        November 2003

        160 Tage

        Diagnose: Leukämie

        by Campenhout, Herman van

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