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Bushel & Peck Books is the revolutionary children's book publisher with the Book-for-Book Promise: for every book they sell, the donate one to kids in need. Started in 2018 by couple David and Stephanie Miles, they publish beautifully illustrated, inspiring children's and novelty books that reimagine what a book can be.
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The only serious study of witchcraft and magic from 1736 to 1951 Brings together matters ranging from upper class spiritualism to rural witchcraft in an exciting and intellecually stimulating way Essential reading for all social historians and all h. . . . ;
The Dark Castle family receives an invitation to a party at Highhorror Castle. Lilo and Miss Rüdiger are immediately eager to go. And of course Luisa should go with them. But humans are strictly forbidden to set foot in Castle Highhorror. “Who cares?”, say Lilo and Luisa, and at first everything seems fine: Luisa gets in as a perfect witch. But then the girls learn about a protective magic spell which covers the whole of the castle: unauthorized beings will be turned for ever into stone… Only a secret book of magic spells can save Luisa now!
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The most magical adventure since the discovery of chocolate! Do you believe in magic and miracles? Everyone in the little town of Belony takes magic and miracles for granted – everyone except Elina, who thinks it’s all a load of nonsense. That is, until her nervous neighbour Charlie happens to get hold of a bar of chocolate that has a very strange effect on her. Suddenly Elina is convinced that Charlie has fallen under a spell. Of all people, it’s shy Robin who comes to the girl’s rescue. He is a member of a Candy Guild family – people who have the ability to create magic sweets that will help others. This is how he knows that only the mysterious Candy Guild can lift the curse on Charlie. With a suitcase full of magic sweets, the three of them set out on a dangerous quest. Because not everyone keeps to the pact that magic sweets should only be used to do good… The Candy Guild. The Magic Pact is the first in a new series of magic-fantasy books for children of 9+ - as enchanting as chocolate and as wild as a Christmas cracker!
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Flora is very excited: together with her magic owl Goldwing, she is to be part of a new team. The owl rulers of the Magical Kingdom have summoned them to Featherland, a hidden place in a mysterious monastery. There they meet the snowy owl Nordis, the spectacled owl Claro and, of course, Jona, who always tries to compete with Flora. How will they ever manage to make a team? It’s not long before they are given their first job: during the night of the next full moon they must help one another to awaken the magic of Featherland – and this proves to be more difficult than expected. Because suddenly Claro disappears from the face of the earth. And without him, no magic can ever succeed…
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John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
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The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections. The editors invite the submission of articles in these fields and welcome discussion of in-progress projects.
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It’s just like a fairy tale. In the forest Flora stumbles on a little house with a garden that’s overgrown with roses. But the house is about to be sold. Not only that, but Flora learns from the owner’s daughter that a white horse has been living for a long time in the stable…but now he’s disappeared! Together with her magic owl Goldwing, Flora tries to find the terrified animal. Will the two of them manage to make their way through the jungle of roses and win the confidence of the white stallion?
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Exciting new adventures in the Enchanted Forest. The mighty tree witches send out invitations to take part in the great Witch Competition, which is only held once every hundred years. The prize is a superb extra magical power. Just the thing for a young owl witch like Petunia, think the seven litte owls, and so they secretly enter their witch for the competition. There is just one catch: whoever comes last in solving the extremely difficult magic problems must hand over her witch’s broomstick. Oh dear! The trouble is, all the other witches are very old and are real experts in the art of magic… Fortunately, and as always, Petunia can rely on her little owls!
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A lone bird hungry for magic pecks at alphabet shapes. It looks through glass windows of book stores and glances at the t-shirts of pedestrians with the hope of solving the mystery hidden behind those letters. Soon, the words become familiar and the bird determinedly starts collecting scraps of paper to build a nest, wanting to hatch its ideas with warmth and nurture them through potential and free imagination. The unusual combination of Ken Spillman’s simple yet eloquent prose and Malavika PC’s inspired images combine in perfect harmony to express the powerful story of The Magic Bird. The bird reminds the reader of the extraordinary components which create something as ordinary as language, and the value of spreading our wings to take stories to others.
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On 25 January 1474, Charles the Bold, duke of Burgundy, appeared before his subjects in Dijon. Robed in silk, gold and precious jewels and wearing a headpiece that gave the illusion of a crown, he made a speech in which he cryptically expressed his desire to become a king. Three years later, Charles was killed at the battle of Nancy, an event that plunged the Great Principality of Burgundy into chaos. This book, innovative and essential, not only explores Burgundian history and historiography but offers a complete synthesis about the nature of politics in this region, considered both from the north and the south. Focusing on political ideologies, a number of important issues are raised relating to the medieval state, the signification of the nation under the 'Ancien Regime', the role of warfare in the creation of political power and the impact of political loyalties in the exercise of government. In doing so, the book challenges a number of existing ideas about the Burgundian state.
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Dive in to the magical world of childhood. A little girl with hair as red as those of a fox is growing up in an atmosphere of love under the care of her grandparents. In the book she tells about her daily witty adventures, her most cherished dreams, and the unbelievable miracles that happen to her. The book is about building bridges between children and adults and about the rapid changes in life. The fox represents the love of life, the belief that every day is a true miracle. When I Was A Fox is an important book about the perception of the world that could be read and discussed by all family members. From 6 to 9 years, 5414 words Rightsholders: n.miroshnyk@vivat.factor.ua
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Al is an unusual elephant born with the ability to change into different things, including turning into human. His magic tricks helps save other elephants from poachers.
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Yang Peng's Award-winning Novels are a collection of the award-winning works of Yang Peng's many outstanding stories. Not only are the selected articles humorous, but also rich in imagination. They are also rich in profound educational philosophy that can enlighten the mind and help readers to reflect on themselves. Dididi received a package. However, the package did not contain figs as his uncle said he had sent, but a dirty cat. Even more amazing is that this cat actually has magic power: it can become as big as the house, or as small as a mouse. He was even able to transfer to be a giant whale. This magic cat can always make a different scene for Dididi to swim, or a sceney that they could go to the beach, the virgin forest, and even the universe. Not only does this cat like to help others, but also is with justice, and has done a lot of earth-shattering good things with his friend Dididi.
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Ma Liang with a magic paint brush is a classic character created by the fairy tale master Hong Xuntao. The picture book "Ma Liang and His Magic Painting Brush" created by the famous painter Yang Yongqing is also an immortal classic -- it exbibits Ma Liang's spirit as diligent and kind, and fearless towards violence.
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This is the first single volume edition of A Trick to Catch the Old One for many decades. This edition presents a thoroughly reconsidered text based on collation of all known copies of the 1608 quarto (including material unnoticed by earlier editors). Textual analysis draws on detailed internal investigation and the printer's wider practice to propose that relatively improvisational procedures and a paper quota governed A Trick's printing operations. Discovery of an overlooked record revises the date of court performance to 1 January 1607, with implications for the play's early history. Critical discussion freshly examines the play's multi-layered ironic texture in relation to such issues as the status of women, marriage's relation to prostitution and vice versa, and the contemporary marriage market. And the Courtesan receives special attention in the context of this overarching ironic scheme. An extensive stage history explores original staging and documents revivals to 2011. The commentary is the most wide-ranging and comprehensive of all modern editions. ;
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The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.
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With its fantasy of magical travel and inexhaustible riches, Thomas Dekker's Old Fortunatus is the quintessential early modern journeying play. The adventures of Fortunatus and his sons, aided by a magical purse and wishing-hat, offers the period's most overt celebration of the pleasures of travel, as well as a sustained critique of the dangers of intemperance and prodigality. Written following a period of financial difficulty for Dekker, the play is also notable for its fascination with the symbolic, mercantile and ethical uses of gold. This Revels Plays edition is the first fully annotated, single-volume critical edition of Old Fortunatus. It offers scholarly discussion of the play's performance and textual history, including attention to the German version printed and performed in the early seventeenth century. It provides a long overdue critical reappraisal of this unjustly neglected play.
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"Winter” is the first of the four-season series Charming Stories about the adventures of Alice and her charming friends Fairy La La and Martha the Cat, this time with Snowflake and Snowy. Like a golden thread, faith in the fulfilment of desires, the power of team spirit, and the value of friends’ support run through these light and kind stories. The author Zoi Linska, with the illustrator Lena Lion, invite you to a journey into their world of fantasy and kind magic. From 3 to 8 years, 8568 words Rightsholders: author@zoilin.com
